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Revised: May 16, 2019 (04:51 EST) Wednesday January 2, 2019 (LIMITED) Genesis 2. 0 (Kimstim Films) (2018/NR/1h 52m/Christian Frei and Maxim Arbugaev/Switzerland-China-Russia-South Korea-USA) Friday January 4, 2019 (WIDE) Escape Room (Columbia) (2019/PG-13/1h 40m/Adam Robitel/South Africa-USA) (LIMITED) American Hangman (Vertical Entertainment) (2017/NR/1h 39m/Wilson Coneybeare/Canada) Being Rose (Gravitas Ventures) (2018/NR/1h 29m/Rod McCall/USA) Communion /Komunia (Moviola) (2016/NR/1h 12m/Anna Zamecka/Poland) Mojin: The Worm Valley (Well Go USA Entertainment) (2018/NR/1h 50m/Xing Fei/China) Rust Creek (IFC Midnight) (2018/R/1h 48m/Jen McGowan/USA) State Like Sleep (The Orchard) (2018/NR/1h 44m/Meredith Danluck/USA) The Vanishing (Saban Films) (2018/R/1h 41m/Kristoffer Nyholm/UK) Wednesday January 9th, 2019 (LIMITED) Modest Heroes: Onoc Short Films Theatre, Volume 1 (Gkids) (2019/Unrated/? Min/Akihiko Yamashita, Hiromasa Yonebayashi and Yoshiyuki Momose) Friday January 11th, 2019 (WIDE) A Dog’s Way Home (Columbia) (2019/PG/1h 36min/Charles Martin Smith/USA) Replicas (Entertainment Studios Motion Pictures) (2019/PG-13/1h 47m/Jeffrey Nachmanoff/UK-China-Puerto Rico-USA) The Upside (STX Entertainment) (2017 [not a flub]/PG-13/2h 5m/Neil Burger/USA) On The Basis Of Sex (Focus Features/Universal) (2018/PG-13/2h 0m/Mimi Leder/USA) (LIMITED) The 6th Friend (The Asylum) (2016/Unrated/1h 25m/Letia Clouston/USA) Alone In The Dead Of Night (Indie Rights) (2017/Unrated/1h 35m/Matty Castano/USA) Anthem of a Teenage Prophet (SP Distribution) (2018/Unrated//? min/Robin Hays/Canada) Ashes In The Snow (Vertical Entertainment) (2019/Unrated/1h 38m/Marius A. Markevicius/USA-Lithuania) The Aspern Papers (Cohen Media Group) (2019/R/1h 30m/Julien Landais/UK-Germany) Beyond The Night (Breaking Glass Pictures) (2019/Unrated/1h 38m/Jason Noto/USA) Buffalo Boys (2019/Samuel Goldwyn Films) (2019/Unrated/1h 42m/Mike Wiluan/Indonesia-Singapore) Jobe’z World (Factory 25) (2019/Unrated/1h 7m/Michael M. Bilandic/USA) Norm of the North: Keys to the Kingdom (Lionsgate) (2019/Unrated/1h 31m/Richard Finn and Tim Maltby/India-USA) Perfect Strangers (Perfectos Desconocidos) (Pantelion Films) (2019/Unrated/1h 37m/Manolo Caro/Spain-Italy) Pledge (IFC Midnight) (2019/NR/1h 17m/Daniel Robbins/USA) Sgt. Will Gardner (Cinedigm Entertainment Group) (2019/Unrated/2h 5m/Max Martini/USA) Tall Tales From The Magical Garden of Antoon Krings (Gébéka Films) (2019/PG/1h 28m/Antoon Krings and Arnaud Bouron/France-Luxembourg) Touch Me Not (Kino Lorber) (2019/Unrated/2h 3m/Adina Pintilie/Romania-Germany-Czech Republic-Bulgaria-France) The Untold Story (Ammo Content) (2019/Unrated/1h 44m/Shane Stanley/USA) Wednesday January 16th, 2019 (LIMITED) Dragon Ball Super: Broly (Doragon bôru chô: Burorî - Dragon Ball Super: Broly) (Toei/FUNimation/20th Century Fox) (2018/PG/1h 40m/Tatsuya Nagamine/Japan) The Heiresses (Las herederas) (Distrib Films) (2018/Unrated/1h 38m/Chris Bell/Paraguay-Germany-Uruguay-Brazil-Norway-France) Friday January 18th, 2019 (WIDE) Glass (Universal Pictures) (2019/PG-13/2h 9m/M. Night Shyamalan/USA) (LIMITED) Canal Street (Smith Global) (2018/PG-13/1h 29m/Rhyan LaMarr/USA) Adult Life Skills (Social Media Productions) (2016/TV-MA/1h 36m/Rachel Tunnard/UK) An Acceptable Loss (aka The Pages) (IFC Films) (2019/R/1h 42m/Joe Chappelle/USA) The Brawler (Vertical Entertainment) (2018/NR//Ken Kushner/USA) Don’t Come Back From The Moon (Brainstorm Media) (2017/Unrated/1h 38m/Bruce Thierry Cheung/USA) Egg (Gravitas Ventures) (2018/Unrated/1h 30m/Marianna Palka/USA) Fyre (Netflix) (2019/TV-MA/1h 37m/Chris Smith/USA) I Hate Kids (Freestyle Digital Media) (2019/PG-13/1h 29m/John Mallory Asher/USA) The Last Man (Lionsgate) (2018/R/1h 40m/Rodrigo H. Vila/Argentina-Canada) Split Lip (Indie Rights Movies) (2019/Unrated/1h 40m/Christopher Sheffield/USA) The Standoff At Sparrow Creek (RLJ Entertainment) (2018/Unrated/1h 28m/Henry Dunham/USA) West of Sunshine (Uncork’d Entertainment) (2017/Unrated/1h 18m/Jason Raftopoulos/Australia) Who Will Write Our History? (Abramorama) (2018/Unrated/1h 35m/Roberta Grossman) Tuesday January 22, 2019 (LIMITED) Dolphin Kick (Epic Pictures Releasing) (2019/TV-G/? min/Philip Marlatt/USA) Wednesday January 23, 2019 (LIMITED) Bricked (GathrFilms) (2018/Unrated/1h 32m/Aleshia Cowser/USA) The 5 Browns: Digging Through The Darkness (? ) (2019/Unrated/1h 37m/Ben Niles/USA) Thursday January 24, 2019 (LIMITED) The Final Wish (Cinedigm Entertainment Group) (2018/Unrated/1h 35m/Timothy Woodward, Jr. /USA) Friday January 25th, 2019 (WIDE) The Kid Who Would Be King (Twentieth Century Fox Film Corporation) (2019/PG/2h 0m/Joe Cornish/UK) Serenity (Aviron) (2019/R/1h 46m/Steven Knight/USA) (LIMITED) King Of Thieves (StudioCanal) (2019/R/1h 48m/James Marsh/Germany-Italy) Never Look Away (Werk ohne Autor) (Columbia Picture Classics) (2019/R/3h 8m/Florian Henckel von Donnersmarck) Dead Ant (August Heart Entertainment) (2017/Unrated/1h 27m/Ron Carlson/USA) Goodnight, Charlene (Indie Rights) (2017/Unrated/? m/Chris Zuhdi/USA) Heartlock (Uncork’d Entertainment) (2019/Unrated/1h 36m/Jon Kauffman/USA) The Image Book (Le livre d’image) (Kino Lorber) (2018/Unrated/1h 24m/Jean-Luc Godard/Switzerland-France) In Like Flynn (Blue Fox Entertainment) (2018/R/1h 46m/Russell Mulcahy/Australia) The Invisibles (Die Unsichtbaren) (Albatros Film) (2017/Unrated/1h 50m/ Claus Räfle/Germany) Jihadists (Cinema Libre Studio) (2019/Unrated/1h 15m/François Margolin and Lemine Ould M. Salem/France-Mali-Mauritania-Tunisia) King Of Beasts (Gravitas Ventures) (2018/Unrated/1h 26m/Nadav Harel and Tomer Almagor/USA-Tanzania-Israel) Wednesday January 30th, 2019 (LIMITED) The Wild Pear Tree (Ahlat Agaci) (The Cinema Guild) (2018/Unrated/3h 8m/Nuri Bilge Ceylan/Turkey-Republic of Macedonia-France/Germany-Bosnia and Herzegovina-Bulgaria- Sweden) The Gandhi Murder (Solar Eclipse: Depth of Darkness) (Rising Star Entertainment) (2019/Unrated/2h 18m/Karim Traïdia and Pankaj Sehgal/UK) Hunter x Hunter: The Last Mission (Gekijouban Hunter x Hunter: The Last Mission) (Toho Company) (2013/Unrated/1h 37m/Keiichirô Kawaguchi/Japan) Thursday January 31, 2019 (LIMITED) An Affair To Die For (Vertical Entertainment) (2019/Unrated/1h 22m/Victor Garcia/Spain) Jimi Hendrix: Electric Church (Abramorama) (2015/Unrated/1h 29m/John McDermott/USA) Painkillers (Vision Films) (2018/Unrated/1h 23m/Roxy Shih/Belgium) Friday February 1st, 2019 (WIDE) Miss Bala (Columbia Pictures) (2019/PG-13/1h 44m/Catherine Hardwicke/Mexico-USA) (LIMITED) Arctic (Bleecker Street Releasing) (2019/PG-13/1h 37m/Joe Penna/Iceland) Daughter Of Mine (Figlia mia) (Strand Releasing) (2018/Unrated/1h 37m/Laura Bispuri/Italy-Germany-Switzerland) Ek Ladki Ko Dekha Toh Aisa Laga (Fox STAR Studios) (2019/Unrated/2h 0m/Shelly Chopra Dhar/India) The Golem (Epic Pictures Group) (2018/Unrated/1h 35m/Doron Paz and yoav Paz/Israel) Just A Breath Away (Dans La Brume) (Culture Publishers (CP)) (2018/Unrated/1h 29m/Daniel Roby/France-Canada) Outlaws (A24) (2017/R/1h 32m/Stephen McCallum/Australia) The St. Bernard Syndicate (Uncork’d Entertainment) (2018/Unrated/1h 40m/Mads Brügger/Denmark) Then Came You (Dutch FilmWorks (DFW) (2018/Unrated/1h 37m/Peter Hutchings/USA) The Unicorn (The Orchard) (2018/Unrated/1h 28m/Robert Schwartzman/USA) Wednesday February 6th, 2019 (LIMITED) Peppa Celebrates Chinese New Year (xiao zhu pei qi guo da nian) (STX Entertainment) (2019/G/1h 21m/Dapeng Zhang/China) Friday February 8th, 2019 (WIDE) The LEGO Movie II: The Second Part (Warner Bros. Pictures) (2019/PG/1h 46m/Mike Mitchell/Denmark-Norway-Australia-USA) Cold Pursuit (Summit Entertainment/Lionsgate) (2019/R/1h 59m/Hans Petter Moland/UK-Norway-Canada-USA-France) What Men Want (Paramount Pictures) (2019/R/1h 57m/Adam Shankman/USA) (LIMITED) Everybody Knows (Todos lo saben) (Focus Features) (2018/R/2h 12m/Asghar Farhadi/Spain-France-Italy) Berlin, I Love You (Saban Films) (2019/R/2h 0m /Dani Levy, Daniel Lwowski, Dennis Gansel, Dianna Agron, Fernando Eimbcke, Gabriela Tscherniak, Josef Rusnak, Justin Franklin, Massy Tadjedin, Peter Chelsom, and Til Schweiger/Germany) Untogether (Freestyle Digital Media) (2018/R/1h 38m/Emma Forrest/USA) Lords of Chaos (Gunpowder & Sky) (2018/R/1h 58m/Jonas Åkerlund/UK-Sweden-Norway) The Prodigy (Orion Releasing) (2019/R/1h 32m/Nicholas McCarthy/Canada-USA) The Man Who Killed Hitler and Then The Bigfoot (Eagle Films) (2019/Unrated/1h 38m/Robert D. Krzykowski/USA) The Amityville Murders (Skyline Entertainment) (2018/Unrated/1h 37m/Daniel Farrands/USA) Beneath The Leaves (Vertical Entertainment) (2019/Unrated/? m/Adam Marino/USA) The Divorce Party (Gravitas Ventures) (2019/Unrated/1h 33m/Hughes William Thompson/USA) High Flying Bird (Netflix) (2019/Unrated/1h 30m/Steven Soderbergh/USA) The Isle (Brainstorm Media) (2018/Unrated/1h 36m/Matthew Butler-Hart/UK) Pinsky (Breaking Glass Pictures) (2017/Unrated/1h 13m/Amanda Lundquist/USA) St. Agatha (Uncork’d Entertainment) (2018/Unrated/1h 30m/Darren Lynn Bousman/USA) To Dust (Good Deed Entertainment) (2018/Unrated/1h 45min/Shawn Snyder/USA) Under The Eiffel Tower (The Orchard) (2018/Unrated/1h 27m/Archie Borders/USA) A Violent Man (GVN Releasing) (2017/Unrated/1h 47m/Matthew Berkowitz/USA) Wednesday February 13th, 2019 (WIDE) Isn’t It Romantic? (Warner Bros. Pictures) (2019/PG-13/1h 29m/Todd Strauss-Shulson/USA) (LIMITED) Birds Of Passage (Pájaros de verano) (Interior 13 Cine) (2019/Unrated/2h 5m/Ciro Guerra and Cristina Gallego/Colombia-Denmark-English) Friday February 15th, 2019 (WIDE) Alita: Battle Angel (20th Century Fox) (2019/PG-13/2h 2m/Robert Rodriguez/USA) Fighting With My Family (MGM) (2019/PG-13/1h 48m/Stephen Merchant/UK-USA) Happy Death Day 2U (Universal Pictures) (2019/PG-13/1h 40m/Christopher B. Landon/USA) (LIMITED) Ruben Brandt, Collector (Sony Pictures Classics) (2018/R/1h 36m/Milorad Krstic/Hungary) Donnybrook (IFC Films) (2018/R/1h 41m/Tim Sutton/USA) Sorry Angel (Plaire, aimer et courir vite) (Strand Releasing) (2018/Unrated/2h 12m/Christophe Honoré/France) Hotel By The River (Gangbyeon hotel) (Cinema Guild) (2018/Unrated/1h 36m/Sang-soo Hong/South Korea) The Maestro (Freestyle Releasing) (2018/Unrated/1h 34m/Adam Cushman/USA) Patrick (Screen Media Films) (2018/Unrated/1h 34m/Mandie Fletcher/UK) Friday February 22nd, 2019 (WIDE) How to Train Your Dragon: The Hidden World (Universal Pictures) (2019/PG/1h 44m/Dean DeBlois/USA) Run the Race (Roadside Attractions) (2018/PG/1h 41m/Chris Dowling/USA) (LIMITED) Piercing (2018/R/1h 21m/Nicolas Pesce/USA) The Iron Orchard (Santa Rita Film Co. ) (2018/R/1h 52m/Ty Roberts/Italy-USA) The Changeover (Vertical Entertainment) (2017/Unrated/1h 35m/Miranda Harcourt and Stuart McKenzie/New Zealand) 1st Summoning (Gravitas Ventures) (2018/Unrated/1h 37m/Raymond Wood/USA) Prosecuting Evil (Vertical Entertainment) (2018/Unrated/1h 23m/Barry Avrich/Canada) Wednesday February 27th, 2019 (LIMITED) Styx (Film Movement) (2018/Unrated/1h 34m/Wolfgang Fischer/Germany-Austria) Friday March 1st, 2019 (WIDE) Tyler Perry’s “A Madea Family Funeral” (Lionsgate) (2019/PG-13/1h 49m/Tyler Perry/USA) Greta (Focus Features) (2018/R/1h 38m/Neil Jordan) (LIMITED) Apollo 11 (NEON) (2019/G/1h 33m/Todd Douglas Miller/USA) St. Judy (Blue Fox Entertainment/Forefront Media Group) (2018/PG-13/1h 46m/Sean Hanish/USA) Climax (A24) (2018/R/1h 35m/Gaspar Noé/France-Belgium) Giant Little Ones (Mongrel Media) (2018/R/1h 33m/Keith Behrman/Canada) We Die Young (ACE Entertainment) (2019/R/1h 32m/Lior Geller/Bulgaria-USA) The Wedding Guest (IFC Films) (2018/R/1h 34m/Michael Winterbottom/UK) The Hole In The Ground (A24) (2019/R/1h 30m/Lee Cronin/Ireland) Transit (Music Box Films) (2018/Unrated/1h 41m/Christian Petzold/Germany France) He Matado A Mi Marido (Hammond) (Francisco Lupini-Basagoiti) Woman At War (Kona fer í stríð) (Magnolia Pictures) (2018/Unrated/1h 41m/Benedikt Erlingsson/Iceland-France-Ukraine) ¡He matado a mi marido! (Imperator Pictures) (2018/Unrated/1h 48m/Francisco Lupini-Basagoiti/USA) Beers of Joy (Gravitas Ventures) (2019/Unrated/David Swift, Scott Owen/USA) The Boy Who Harnessed The Wind (Netflix) (2019/Unrated/1h 53m/Chiwetel Ejiofor/UK) The Cannibal Club (O Clube dos Canibais) Uncork’d Entertainment) (2018/Unrated/1h 21m/Guto Parente/Brazil) Cliffs of Freedom (Round Hill Media) (2019/R/2h 17m/Van Ling/USA) Devil’s Path (Breaking Glass Pictures) (2018/Unrated/1h 27m/Matthew Montgomery/USA) Furie (Hai Phuong) (Well Go USA Entertainment) (2019/Unrated/1h 38m/Le-Van Kiet/Vietnam) Joseph Pulitzer: Voice of the People (First Run Features) (2018/Documentary/1h 24m/Oren Rudavsky/USA) Level 16 (Dark Sky Films) (2018/Unrated/1h 42m/Danishka Esterhazy/Canada) Mapplethorpe (Samuel Goldwyn Films) (2018/Unrated/1h 42m/Ondi Timoner/USA) Pretty Broken (Freestyle Digital Media) (2018/Unrated/1h 43m/Brett Eichenberger/USA) Sharkwater Extinction (Freestyle Digital Media) (2018/Unrated/1h 28m/Rob Stewart/? ) Smaller and Smaller Circles (Uncork’d Entertainment) (2017/Unrated/1h 51m/Raya Martin/The Philippines) Something (Subspin Productions) 2018/Unrated/1h 26m/Stephen Portland/USA) The Sower (Le semeur) (Film Movement) (2017/Unrated/1h 38m/Marine Francen/French) Stray (Screen Media Films) (2019/Unrated/1h 29m/Joe Sill/USA) This Magnificent Cake! (Ce magnifique gâteau! ) (GKIDS) (2018/Unrated/44m/Emma De Swaef and Marc James Roels/Belgium-France-The Netherlands) Tuftland (Kyrsyä) (Subliminal Films) (2017/Unrated/1h 29m/Roope Olenius/Finland) Thadam (Redhan) (2019/Unrated/2h 18m/Magizh Thirumeni/India) Yajamana (Media House) (2019/Unrated/2h 44m/V. Harikrishna and Pon Kumaran/India) Sonchiriya (R. S. V. P. ) (2019/Unrated/2h 23m/Abhishek Chaubey/India) Luka Chuppi (Maddock Films) (2019/Unrated/2h 6m/Laxman Utekar/India) 118 (East Coast Productions) (2019/Unrated/2h 0m/K. Guhan/India) Virginia Minnesota (Indican Pictures) (2019/Unrated/1h 38m/Daniel Stine/USA) Friday March 8th 2019 (WIDE) Captain Marvel (Marvel/Walt Disney Studios Motion Pictures) (2019/PG-13/2h 4m/Anna Boden and Ryan Fleck/USA) (LIMITED) The Kid (Lionsgate) (2019/R/1h 40m/Vincent D’Onofrio/USA) Gloria Bell (A24) (2018/R/1h 42m/Sebastián Lelio/Chile-USA) The Sex Trip (Ammo Content) (2017/Unrated/1h 30m/Anthony G. Cohen/USA) An Elephant Standing Still (Da xiang xi di er zuo) (Kimstim Films) (2018/Unrated/3h 50m/Quian “Bo” H u/China) 3 Faces (Se rokh) (Kino Lorber) (2018/Unrated/1h 40m/Jafar Panahi/Iran) Babylon (Kino Lorber) (1980-2019/Unrated/1h 35m/Franco Rosso/UK-Italy) Badla (Red Chillies Entertainment) (2019/Unrated/1h 58m/Sujoy Ghosh/India) Black Mother (Grasshopper Film) (2018/Unrated/1h 17m/Khalik Allah/USA) Ferrante Fever (Greenwich Entertainment) (2017/Unrated/1h 14m/Giacomo Durzi/Italy-France) I’m Not Here (Gravitas Ventures) (2017/Unrated/1h 21m/Michelle Chumacher/LUSA) Island of the Hungry Ghosts (Sentient Art Film) (2018/Unrated/1h 38m/Gabrielle Brady/Germany-UK-Australia) Two Plains & A Fancy (Factory 13) (2018/Unrated/1h 30m/Whitney Horn and Lev Kalman/USA) And Then There Was Eve (Breaking Glass Pictures) (2017/Unrated/1h 36m/Savannah Bloch/USA) Triple Frontier (Netflix) (2019/2h 5m/J. C. Chandor/USA) Boomerang (Masala Pix) (2019/Unrated/2h/R. Kannan/India) Friday March 15th 2019 (WIDE) Five Feet Apart (Lionsgate) (2019/PG-13/1h 56m/Justin Baldoni/USA) Wonder Park (Paramount Pictures) (2019/PG/1h 25m/? /Spain-USA) Captive State (Focus Features) (2019/PG-13/1h 49m/Rupert Wyatt/USA) (LIMITED) Chimera Strain (Vertical Entertainment) (2018/R/1h 20m/Maurice Haeems/India-United Arab Emirates-USA) Nancy Drew and the Hidden Staircase (2019/PG/1h 29m/Kat Shea/USA) The Hummingbird Project (The Orchard) (2018/R/1h 51m/Kim Nguyen/Belgium-Canada) The Mustang (Focus Features) (2019/R/1h 36m/Drama/Laure de Clermont-Tonnerre/France-USA) Ash is Purest White (Cohen Media Releasing) (2018/Unrated/2h 16m/Zhangke Jia/China-France-Japan) No Manches Frida II (Pantelion) (2019/R/1h 42m/Nacho G. Velilla/USA) The Aftermath (Fox Searchlight) (2019/R/1h 48m/James Kent/UK-Germany-USA) Faith, Hope & Love (ArtAffects) (2019/PG/1h 46m/J. J. Englert and Robert Krantz/USA) Iceman: The Time Traveller (Bing feng: Yong heng zhi men) (2018/Unrated/1h 44m/Wai Man Yip/China-Hong Kong) Yardie (Rialto) (2018/Unrated/1h 41m/Idris Alba/UK) Friday March 22nd, 2019 (WIDE) Us (Universal Pictures) (2019/R/1h 56m/Jordan Peele/USA-Japan) (LIMITED) Sunset (Napszállta) (Sony Pictures Classics) (2018/R/2h 22m/László Nemes/Hungary-France) Ramen Shop (Strand Releasing) (Eric Khoo) Friday March 29th, 2019 (WIDE) Dumbo (2019) (Disney Pictures) (2019/PG/1h 52m/Tim Burton/USA) The Beach Bum (NEON) (2019/R/1h 35m/Harmony Korine/Switzerland-UK-France-USA) Hotel Mumbai (Bleecker Street) (2018/R/2h 3m/Anthony Maras/Australia-USA-India) (LIMITED) Trinity Seven: Heavens Library & Crimson Lord (Atlas Distribution) (2019/R/1h 3m/Hiroshi Nishikiori/Japan) Screwball (Greenwich) (2018/Unrated/1h 45m/Billy Corben/USA) Friday April 5th, 2019 (WIDE) Shazam! (Warner Bros. Pictures) (2019/PG-13/2h 12m/David F. Sandberg/USA) Pet Sematary (2019) (Paramount Pictures) (2019/R/1h 41m/Kevin Kölsch and Dennis Widmyer/USA) The Best of Enemies (STX Entertainment) (2019/PG-13/2h 13m/Robin Bissell/USA) (LIMITED) Amazing Grace (2018/G/1h 27m/Alan Elliott and Sydney Pollack/USA) Storm Boy (Good Deed) (2019/PG/1h 39m/Shawn Seet/Australia) The Biggest Little Farm (NEON) (2018/PG/1h 31m/John Chester/USA) The Public (Greenwich) (2018/PG-13/2h 2m/Emilio Estevez/USA) Peterloo (Amazon) (2018/PG-13/2h 34m/Mike Leigh/UK) High Life (A24) (2018/R/1h 50m/Claire Denis/Germany-France-UK-Poland-USA) The Wind (IFC Films) (2018/R/1h 26m/Emma Tammi/USA) Billboard (iDreamMachine) (2019/Unrated/1h 29m/Zeke Zelker/USA) Suburban Birds (Jiao qu de niao) (Cinema Guild) (2018/Unrated/1h 58m/Sheng Qiu/China-Taiwan) Friday April 12th, 2019 (WIDE) Missing Link (Annapurna) (2019/PG/1h 35m/Chris Butler/USA-Canada) Little (Universal Pictures) (2019/PG-13/1h 48m/Tina Gordon Chism/USA) After (Aviron) (2019/PG-13/1h 46m/Jenny Gage/USA) Hellboy (Summit Entertainment/Lionsgate) (2019/R/Neil Marshall/USA) (LIMITED) Teen Spirit (Bleecker Street) (2018/PG-13/1h 32m/Max Minghella/UK-USA) Wild Nights With Emily (Greenwich) (2018/PG-13/1h 24m/Madeleine Olnek/USA) Stockholm (Smith Global) (2018/R/1h 32m/Robert Budreau/Canada-USA) Girls of the Sun (Les filles du soleil) (Cohen Media Releasing) (2018/Unrated/1h 55m/Eva Husson/France-Belgium-Georgia-Switzerland) Sauvage (Strand) (2018/Unrated/1h 39m/Camille Vidal-Naquet/France) Rottentail (Ammo Content) (2018/Unrated/Brian Skiba/USA) A Dark Place (Steel Country) (2018/Unrated/1h 29m/Simon Fellows/UK) Wednesday April 17th, 2019 (LIMITED) Kalank (FIP) (2019/Abhishek Varman/India) Friday April 19th, 2019 (WIDE) Disneynature’s “Penguins” (Disney Pictures) (2019/G/1h 16m/Alastair Fothergill, Mark Linfield and Jeff Wilson/USA) Breakthrough (20th Century Fox) (2019/PG/1h 56m/Roxann Dawson/USA) The Curse of La Llorona (Warner Bros. Pictures) (2019/R/1h 33m/Michael Chaves/USA) (LIMITED) Fast Color (Lionsgate) (2018/PG-13/1h 40m/Julia Hart/USA) Under the Silver Lake (A24) (2018/R/2h 19m/David Robert Mitchell/USA) Little Woods (NEON) (2018/R/1h 45m/Crime, Drama, Western/Nia DaCosta/USA) Rafiki (Film Movement) (2018/Unrated/1h 23m/Wanuri Kahiu/Kenya-South Africa-German-The Netherlands-France-Norway-Lebanon) High On The Hog (Indican Pictures) (2017/Unrated/1h 25m/Tony Wash/USA) Stuck (Eammon Films) (2017/PG-13/1h 30m/Michael Berry/USA) Grass (Cinema Guild) (Sang-soo Hong) Monday April 22, 2019 (LIMITED) Bright Ones (2019/PG/1h 24m/David Norona and Fred Vassallo) Friday April 26th, 2019 (GALAXYWIDE) Avengers: Endgame (Marvel/Disney Pictures) (2019/PG-13/3h 2m/Anthony Russo and Joe Russo/USA) (LIMITED) The White Crow (Sony Pictures Classics) (2018/R/2h 7m/Ralph Fiennes/UK-France) Body at Brighton Rock (Magnolia) (Roxanne Benjamin) Friday May 3rd, 2019 (WIDE) UglyDolls (STX Entertainment) (2019/PG/1h 27m/Kelly Asbury/China-Canada-USA) The Intruder (Sony/Screen Gems) (2019/PG-13/1h 42m/Deon Taylor/USA) Long Shot (Summit Entertainment/Lionsgate) (2019/R/2h 5m/Jonathan Levine/USA) El Chicano (Briarcliff) (2018/R/2h 22m/Ben Hernandez Brav/USA) (LIMITED) Bolden (Abramorama) (2019/R/Dan Pritzker/USA) Meeting Gorbachev (The Orchard) (2018/1h 30m/Werner Herzog and Andre Singer/UK-USA-Germany) Ask Dr. Ruth (Magnolia) (2019/1h 40m/Ryan White/USA) Friday May 10th, 2019 (WIDE) Pokémon: Detective Pikachu (2019/PG/1h 44m/Warner Brothers Pictures/Rob Letterman/Japan-USA) The Hustle (MGM) (2019/PG-13/1h 34m/Chris Addison/USA) Poms (STX Entertainment) (2019/PG-13/Zara Hayes/UK-USA) (LIMITED) All Is True (Sony Pictures Classics) (2018/PG-13/1h 41m/Kenneth Branagh) My Son (Mon garçon) (Cohen Media Releasing) (2017/PG-13/1h 24m/Christian Carion/France-Belgium) Tolkien (Fox Searchlight) (2019/PG-13/1h 52m/Dome Karukoski/USA) Student of the Year 2 (FIP) (2019//Punhit Malhotra/India) Friday May 17th, 2019 (WIDE) A Dog’s Journey (Universal) (2019/PG/1h 48m/Gail Mancuso/USA) The Sun Is Also a Star (Warner Brothers) (2019/PG-13/Ry-Russo-Young/USA) John Wick - Chapter III: Parabellum (Summit/Lionsgate) (2019/R/2h 10m/Chad Stahelski/USA) (LIMITED) The Souvenir (A24) (2019/R/1h 59m/Joanna Hogg/UK-USA) The Third Wife (Film Movement) (2018/R/Drama/Ash Mayfair/Vietnam) Trial By Fire (Roadside Attractions) (2018/R/2h 7m/Edward Zwick/USA) The Meanest Man In Texas (Ammo Content) (2017/1h 45m/Justin Ward/USA) Aniara (Magnolia) (2018/R/1h 46m/Pella Kågerman and Hugo Lilja/Sweden-Denmark) Slaughterhouse Rulez (Sony Pictures) (2018/R/1h 44m/Crispian Mills/UK) The Professor and the Madman (Vertical Entertainment) (2019/2h 4m/Farhad Safinia/Ireland) Wednesday May 22nd, 2019 (LIMITED) The Tomorrow Man (Bleecker Street) (2019/PG-13/1h 34m/Noble Lincoln Jones/USA) Friday May 24th, 2019 (WIDE) Aladdin (Disney) (2019/PG/2h 8m/Guy Ritchie/USA) Brightburn (Sony/Screen Gems) (2019/R/1h 30m/David Yarovesky/USA) (LIMITED) Booksmart (Annapurna) (2019/R/1h 42m/Olivia Wilde/USA) Echo In The Canyon (Greenwich) (2018/Unrated/1h 22m/Andrew Slater/USA) Halston (The Orchard) (2019/2h 0m/Documentary/USA) The Proposal (Oscilloscope Pictures) (2018/1h 26m/Jill Magid) India’s Most Wanted (FIP) (2019/Raj Kumar Gupta/India) Funny Story (Blue Fox Entertainment) (2018/1h 24m/Michael J. Gallagher/USA) Friday May 31st, 2019 (WIDE) Godzilla: King of the Monsters (Warner Brothers) (2019/PG-13/2h 12m/Michael Dougherty/USA) Ma (Universal Pictures) (2019/R/1h 39m/Tate Taylor/USA) Rocketman (Paramount) (2019/R/2h 1m/Dexter Fletcher/UK-USA) Wednesday June 5, 2019 (LIMITED) Bharat (Viva Pictures Distribution) (2019/Ali Abbas Zafar/India) Friday June 7th, 2019 (WIDE) The Secret Life of Pets II (Universal Pictures) (2019/PG/1h 26m/Chris Renaud/France-Japan-USA) X-Men: Dark Phoenix (Fox/Disney) (PG-13/Simon Kinberg) (LIMITED) Late Night (Amazon Studios) (2019/R/1h 42m/Nisha Ganatra/USA) Nightmare Cinema (Cranked Up/Shudder) (2018/R/1h 59m/Mick Garris, Joe Dante, David Slade, Ryuhei Kitamura and Alejandro Brugues/USA) Wednesday June 12th, 2019 (LIMITED) The Art Of Self-Defense (Bleecker Street) (2019/R/1h 44m/Riley Stearns/USA) The Last Black Man In San Francisco (A24) (2019/R/2h 0m//Joe Talbot/USA) Friday June 14th, 2019 (WIDE) Men in Black International (Columbia) (F. Gary Gray) Shaft (2019) (Warner Brothers) (R/Tim Story) (LIMITED) The Dead Don’t Die (Focus Features) (R/Jim Jarmusch) American Woman (Roadside Attractions) (R/Jake Scott) Friday June 21st, 2019 (WIDE) Toy Story IV (Pixar/Disney) (G/Josh Cooley) Anna (Lionsgate) (Luc Besson) Child’s Play (2019) (Orion Releasing) (R/Lars Klevberg) (LIMITED) Toni Morrison: The Pieces I Am (Magnolia) (PG-13/Timothy Greenfield-Sanders) Swinging Safari (Blue Fox Entertainment) (R/Stephan Elliott) Wild Rose (NEON) (R/Tom Harper) Wednesday June 26th, 2019 (WIDE) Annabelle Comes Home (New Line) (Gary Dauberman) Friday June 28th, 2019 (WIDE) Yesterday (Universal) (PG-13/Danny Boyle) 47 Meters Down: Uncaged (Entertainment Studios Motion Pictures) (Johannes Roberts) (LIMITED) Maiden (Sony Classics Pictures) (PG/Alex Holmes) Three Peaks (Greenwich) (Jan Zabeil) Tuesday July 2, 2019 (WIDE) Spider-Man: Far from Home (Columbia) (Jon Watts) Wednesday July 3rd, 2019 (WIDE) Midsommar (A24) (Ari Aster) Friday July 5th, 2019 (LIMITED) Marianne and Leonard: Words of Love (Roadside Attractions) (Nick Broomfield) Friday July 12th, 2019 (WIDE) 21 Bridges (STX Entertainment) (Brian Kirk) Stuber (Fox/Disney) (Michael Dowse) Crawl (Paramount) (Alexandre Aja) (LIMITED) 4. The Farewell (A24) (PG/Lulu Wang) Friday July 19th, 2019 (WIDE) The Lion King (2019) (Disney) (Jon Favreau) (LIMITED) David Crosby: Remember My Name (Sony Classics Pictures) (A. Eaton) Friday July 26th, 2019 (WIDE) Once Upon a Time in Hollywood (Columbia) (Quentin Tarantino) Brahms: The Boy 2 (STX Entertainment) (William Brent Bell) (LIMITED) Tel Aviv on Fire (Cohen Media Group) (Sameh Zoabi) Mike Wallace Is Here (Magnolia) (PG-13/Avi Belkin) Wednesday July 31, 2019 (LIMITED) Jay Myself (Oscilloscope Pictures) (Stephen Wilkes) Friday August 2nd, 2019 (WIDE) Fast and the Furious presents Hobbs & Shaw (Universal) (David Leitch) (LIMITED) Luce (NEON) (Julius Onah) The Nightingale (IFC) (Jennifer Kent) Friday August 9th, 2019 (WIDE) Dora and the Lost City of Gold (Paramount) (James Bobin) The Art of Racing In The Rain (Fox/Disney) (PG/Mark Bomback) The Kitchen (Warner Brothers) (R/Andrea Berloff) Scary Stories to Tell in the Dark (Lionsgate) (André Øvredal) (LIMITED) 4. Brian Banks (Bleecker Street) (Tom Shadyac) 5. After The Wedding (Sony Classics Pictures) (Bart Freundlich) 6. The Peanut Butter Falcon (Roadside Attractions) (Tyler Nilson and Michael Schwartz) Wednesday August 14th, 2019 (WIDE) Blinded By The Light (Warner Brothers) (Gurinder Chadha) The Angry Birds Movie II (Columbia) (Thurop Van Orman and John Rice) Friday August 16th, 2019 (WIDE) Good Boys (Universal Pictures) (R/Lee Eisenberg and Gene Stupnitsky) Where’d You Go, Bernadette? (Annapurna) (PG-13/Richard Linklater) (LIMITED) The Informer (Aviron) (Andrea Di Stefano) Aquarela (Sony Classics Pictures) (Victor Kossakovsky) Cold Case Hammarskjöld (Magnolia) (Mads Brügger) Friday August 23rd, 2019 (WIDE) Angel Has Fallen (Lionsgate) (Ric Roman Waugh) Ready Or Not (Fox Searchlight) (Matt Bettinelli-Olpin and Tyler Gillett) (LIMITED) 2. Overcomer (Affirmation) (PG/Alex Kendrick) 3. Brittany Runs A Marathon (Amazon) (Paul Downs Colaizzo) 4. Fiddler: A Miracle Of Miracles (Roadside Attractions) (PG-13/Max Lewkowicz) Friday August 30th, 2019 (WIDE) PLAYMOBIL (STX Entertainment) (Lino DiSalvo) (LIMITED) My Boyfriend’s Meds (Pantelion) (Diego Kaplan) Friday September 6th, 2019 (WIDE) Stephen King’s “IT”: Chapter II (Warner Brothers) (Andrés Muschietti) Friday September 13th, 2019 (WIDE) The Goldfinch (Warner Brothers) (R/John Crowley) Hustlers (STX Entertainment) (Lorene Scafaria) (LIMITED) Monos (NEON) (Alejandro Landes) Wednesday September 18, 2019 (LIMITED) Midnight Traveler (Oscilloscope Pictures) (Hassan Fazili) Friday September 20th, 2019 (WIDE) Downton Abbey (Focus Features) (PG/Julian Fellowes) Ad Astra (Fox/Disney) (James Gray) Rambo V: Last Blood (Lionsgate) (Adrian Grunberg) Wednesday September 25th, 2019 (WIDE) Praise This (Universal) (unknown at present) Friday September 27th, 2019 (WIDE) Abominable (Universal Pictures) (PG/Tim Johnson and Todd Wilderman) The Hunt (Universal Pictures) (Craig Zobel) Judy (Roadside Attractions) (PG-13/Rupert Goold) All Rise (Entertainment Studios) (Anthony Mandler) Friday October 4th, 2019 (WIDE) Joker (Warner Bros. Pictures) (Todd Phillips) The Woman in the Window (Fox/Disney) (Joe Wright) (LIMITED) 3. Pain and Glory (Dolor y Gloria) (Sony Classics Pictures) (Pedro Almodóvar) Friday October 11th, 2019 (WIDE) Gemini Man (Paramount) (Ang Lee) The Addams Family (2019) (MGM) (Conrad Vernon) Friday October 18th, 2019 (WIDE) Zombieland II: Double Tap (Columbia) (Ruben Fleischer) Untitled Blumhouse Project (Universal Pictures) (unknown at present) Maleficent: Mistress of Evil (Disney) (Joachim Rønning) The Has-Been (tentative title) (Warner Brothers) (Gavin O’Connor) (LIMITED) JoJo Rabbit (Fox Searchlight) (PG-13/Taika Waititi) Friday October 25th, 2019 (WIDE) Untitled Aviron Horror (Aviron) (unknown at present) The Last Full Measure (Roadside Attractions) (Todd Robinson) Black and Blue (Sony/Screen Gems) (Deon Taylor) Countdown (STX Entertainment) (Justin Dec) Friday November 1st, 2019 (WIDE) Arctic Dogs (Entertainment Studios Motion Pictures) (PG/Aaron Woodley) Motherless Brooklyn (Warner Brothers) (R/Edward Norton) Terminator: Dark Fate (Paramount) (Tim Miller) Harriet (Focus Features) (Kasi Lemmons) The Aeronauts (Amazon Studios) (Tom Harper) Friday November 8th, 2019 (WIDE) Last Christmas (Universal) (Paul Feig) Midway (Summit Entertainment/Lionsgate) (Roland Emmerich) Stephen King’s “Doctor Sleep” (Warner Brothers) (Mike Flanagan) Sonic The Hedgehog (Paramount) (Jeff Fowler) (LIMITED) Honey Boy (Amazon Studios) (Alma Har'el) Friday November 15th, 2019 (WIDE) Charlie’s Angels (2019) (Columbia) (Elizabeth Banks) The Good Liar (Warner Brothers) (R/Bill Condon) Ford vs. Ferrari (Fox/Disney) (James Mangold) Friday November 22nd, 2019 (WIDE) Frozen II (Disney) (Chris Buck and Jennifer Lee) A Beautiful Day In The Neighborhood (Columbia) (Marielle Heller) The Rhythm Section (Paramount) (Reed Morano) Friday November 27th, 2019 (WIDE) Knives Out (Lionsgate) (Rian Johnson) Queen & Slim (Universal) (Melina Matsoukas) Friday December 13th, 2019 (WIDE) Jumanji III (Columbia) (Jake Kasdan) Untitled Blumhouse Project (Universal) (unknown at present) Friday December 20th, 2019 (WIDE) Superintelligence (Warner Brothers) (PG/Ben Falcone) Cats (Universal) (Tom Hooper) Star Wars - Episode IX: The Rise of Skywalker (Disney) (J. Abrams) Untitled Roger Ailes Project (Lionsgate) (Jay Roach) Wednesday December 25th, 2019 (WIDE) 1917 (Universal Pictures) (Sam Mendes) Little Women (2019) (Columbia) (Greta Gerwig) Spies in Disguise (Fox/Disney) (Nick Bruno, Steve Martino and Troy Quane) Friday December 27th, 2019 (LIMITED) Clemency (NEON) (Chinonye Chukwu).

Yip man 4 full movie english subtitles. (UPDATED: December 2, 2019 13:38 EST) December 4, 2019 (LIMITED) Branagh Theatre Live: The Winter's Tale (Trafalgar Releasing) (3h 0m) December 5, 2019 (LIMITED) Gundam 40th Anniversary Celebration: Chars Counterattack (Fathom Events) (2019/? /2h 15m/? /? ) Los Leones (Spanglish Movies) (2019/? /? m/Frank Perozo/Dominican Republic) December 6, 2019 (WIDE) Playmobil: The Movie (STX Entertainment) (2019/1h 39m/Lino DiSalvo/France-USA) Dark Waters (Focus Features) (2019/PG-13/2h 6m/Todd Haynes/USA) (LIMITED) Panipat (Reliance Entertainment) (2019/R/2h 45m/Ashutosh Gowariker/India) En Brazos de un Asesino (2019/R/? /Matías Moltrasio/Dominican Republic) Little Joe (Magnolia Pictures) (2019/? /1h 45m/Jessica Hausner/UK-Austria-Germany) Dark Light (Vertical Entertainment) (2019/? /1h 30m/Padraig Reynolds/USA) Portrait of a Lady on Fire (NEON) (2019/R/2h 1m/Céline Sciamma/France) The Aeronauts (Amazon Studios) (2019/PG-13/1h 40m/Tom Harper/UK-USA) Midnight (1091 Media) (1h 21m) December 8, 2019 (LIMITED) Les Misérables: The Staged Concert (Trafalgar Releasing) December 9, 2019 INXS: Baby Live at Wembly Stadium (Fathom Events) (2019/? /1h 34m/David Mallet/UK) December 13, 2019 (WIDE) Jumanji: The Next Level (Sony Pictures Releasing) (2019/PG-13/2h 3m/Jake Kasdan/USA) Richard Jewell (Warner Brothers) (2019/R/2h 9m/Clint Eastwood/USA) Black Christmas (Blumhouse/Universal) (2019/PG-13/1h 38m/Sophia Takal/New Zealand-USA) Bombshell (Lionsgate) (2019/R/1h 48m/Jay Roach/Canada-USA) (LIMITED) Uncut Gems (A24) (2019/R/2h 15m/Benny Safdie and Josh Safdie/USA) Mardaani 2 (2019/? /? m/Gopi Puthran/India) Cunningham (Magnolia Pictures) (2019/PG/1h 33m/Alla Kovgan/Germany-France-USA) Seberg (Amazon Studios) (2019/R/1h 36m/Benedict Andrews/UK-USA) A Hidden Life (Fox Searchlight) (2019/PG-13/2h 53m/Terrence Malick/Germany-USA) December 16, 2019 (LIMITED) Gorillaz: Reject False Icons (Trafalgar Releasing) (1hr 40min) December 20, 2019 (WIDE) Star Wars – Episode IX: The Rise of Skywalker (LucasFilm/Disney) (2019/PG-13/2h 21m/J. J. Abrams/USA) Cats (Universal Pictures) (2019/? /? m/Tom Hooper/UK-USA) (LIMITED) Dabangg 3 (2019/? /2h 20m/Prabhu Deva/India) Only Cloud Knows (China Lion Film Distribution) (2019/? /? m/Xiaogang Feng/China) December 25, 2019 (WIDE) Spies in Disguise (Blue Sky/Fox/Disney) (2019/PG/1h 42m/Nick Bruno and Troy Quane/ Little Women (Sony Pictures Releasing) (2019/PG/2h 14m/Greta Gerwig/USA) Just Mercy (Warner Brothers) (2019/PG-13/2h 16m/Destin Daniel Cretton/USA) (LIMITED) 1917 (Universal Pictures) (2019/R/1h 59m/Sam Mendes/UK-USA) Yip Man 4 (Well Go USA Entertainment) (2019/? /1h 45m/Wilson Yip/Hong Kong) The Song of Names (Sony Pictures Classics) (2019/PG-13/1h 53m/François Girard/Canada-Hungary) December 27, 2019 (LIMITED) Clemency (NEON) (2019/R/1h 53m/Chinonye Chukwu/USA) 2020 Friday January 3rd, 2020 (WIDE) The Grudge (2020) (Columbia) (Nicolas Pesce) Friday January 10, 2020 (WIDE) 1917 (Universal Pictures) (2019/R/1h 59m/Sam Mendes/UK-USA Like A Boss (Paramount) (Miguel Arteta) Underwater (Fox/Disney) (William Eubank) The Informer (Aviron) (Andrea Di Stefano) Friday January 17th, 2020 (WIDE) The Voyage Of Doctor Dolittle (Universal) (Stephen Gaghan) Bad Boys 4 Life (Columbia) (Adil El Arbi and Bilall Fallah) Friday January 24th, 2020 (WIDE) The Last Full Measure (Roadside Attractions) (2019/? /1h 50m/War/Todd Robinson/USA) The Turning (Universal) (PG-13/Floria Sigismondi) Run (Lionsgate) (Aneesh Chaganty) The Gentlemen (STX Entertainment) (Guy Richie) Friday January 31st, 2020 (WIDE) The Rhythm Section (Paramount) (Reed Morano) Gretel and Hansel (United Artists) (2020/? /? m/Horror/Oz Perkins/USA) (LIMITED) 3. The Traitor (Sony Classics Pictures) (R/Marco Bellocchio) Friday February 7, 2020 (WIDE) Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (Warner Bros. ) (Cathy Yan) The Lodge (NEON) (R/Veronika Franz and Severin Fiala) Friday February 14th, 2020 (WIDE) Sonic The Hedgehog (Paramount) (Jeff Fowler) Disney’s Untitled Live-Action Film (Disney) (unknown at present) “Fantasy Island” horror comedy (Blumhouse/Columbia) (Jeff Wadlow) The Photograph (Universal) (Stella Meghie) (LIMITED) What About Love (XLI41) (Klaus Menzel) Friday February 21st, 2020 (WIDE) Brahms: The Boy II (STX Entertainment) The Call of the Wild (2020) (20th Century Fox/Disney) (Chris Sanders) Bloodshot (Columbia) (Dave Wilson) Emma (Focus Features) (Autumn de Wilde) Friday February 28th, 2020 (WIDE) The Invisible Man (Universal/Blumhouse) (Leigh Whannell) (LIMITED) The Whistlers (La Gomera) (2019/Unrated/1h 37m/Thriller/Corneliu Porumboiu/Romania-France-Germany-Sweden) Burden (101 Studios) (2018/? /2h 9m/Drama/Andrew Heckler/USA) Friday March 6th, 2020 (WIDE) Onward (Disney/Pixar) (Dan Scanlon) The Way Back (Warner Bros. ) (Gavin O’Connor) First Cow (A24) (Kelly Reichardt) (LIMITED) Sometimes Always Never (2018/PG-13/1h 31m/Comedy/Carl Hunter/UK) Friday March 13th, 2020 (WIDE) The Invisible Man (2020) (Blumhouse/Universal) (Leigh Whannell) Friday March 20th, 2020 (WIDE) A Quiet Place, Part II (Paramount) (John Krasinski) I Still Believe (Lionsgate) (Jon Erwin and Andrew Erwin) (LIMITED) The Climb (Sony Pictures Classics) (Michael Angelo Covino) Friday March 27th, 2020 (WIDE) Disney’s ‘Mulan’ (live-action) (Disney) (Niki Caro) Friday April 3rd, 2020 (WIDE) Peter Rabbit 2 (Columbia) (Will Gluck) Untitled DC Comics Film (DC/Warner Bros. ) (unknown at present) Fatherhood (Sony) (Paul Weitz) The Lovebirds (Paramount) (Michael Showalter) The New Mutants (Fox/Disney) (Josh Boone) Wednesday April 8th, 2020 (WIDE) No Time To Die (MGM) (Cary Fukunaga) Friday April 17th, 2020 (WIDE) Monster Problems (Paramount) (Michael Matthews) Trolls World Tour (DreamWorks/Universal) (Jonathan Aibel and Glenn Berger) Friday April 24, 2020 Bad Trip (United Artists) (2020/R/? m/Comedy/Kitao Sakurai/USA) Friday May 1st, 2020 (WIDE) Black Widow (Marvel/Disney) (Cate Shortland) Friday May 8th, 2020 (WIDE) Legally Blonde III (MGM) (unknown at present) Covers (Focus Features) (Nisha Ganatra) Greyhound (Columbia) (Aaron Schneider) Friday May 15th, 2020 (WIDE) S. C. O. B. (Warner Bros. ) (Tony Cervone) The Woman In The Window (20th Century Fox/Disney) (2020/? /? /Crime/Joe Wright/USA) Chris Rock’s untitled “Saw” film (Lionsgate) (Darren Lynn Bousman) Friday May 22th, 2020 (WIDE) Fast and Furious IX (Universal) (Justin Lin) Spongebob Squarepants: It’s A Wonderful Sponge (Paramount/Nickelodeon) (Paul Tibbitt) Friday May 29, 2020 (WIDE) Artemis Fowl (Disney) (Kenneth Branagh) Friday June 5th, 2020 (WIDE) Wonder Woman 1984 (DC/Warner Bros. ) (Patty Jenkins) Friday June 12th, 2020 (WIDE) Candyman (2020) (Universal) (Nia DaCosta) Red Notice (Universal) (Rawson Marshall Thurber) Friday June 19th, 2020 (WIDE) Soul (Pixar/Disney) (Pete Docter) Untitled Judd Apatow/Pete Davidson Comedy (Universal) (unknown at present) Friday June 26th, 2020 (WIDE) In The Heights (Warner Bros. ) (John M. Chu) Top Gun II: Maverick (Paramount) (Joseph Kosinski) Friday July 3rd, 2020 (WIDE) Minions (II): The Rise Of Gru (Illumination/Universal) (Kyle Balda and Brad Ableson) Free Guy (Disney) (Shawn Levy) Friday July 10th, 2020 (WIDE) Ghostbusters III (Columbia) (Jason Reitman) The Purge V (Universal) (James DeMonaco) Untitled Columbia/Marvel Project (Columbia/Marvel) (unknown at present) Friday July 17th, 2020 (WIDE) Bob’s Burgers (Fox/Disney) (unknown at present) Tenet (Warner Bros. ) (Christopher Nolan) Untitled Paramount Animation (Paramount) (unknown at present) Friday July 24th, 2020 (WIDE) Jungle Cruise (Disney) (Jaume Collet-Serra) Green Lantern Corps (DC/Warner Bros. ) (unknown at present) Friday July 31th, 2020 (WIDE) Morbius (Sony/Columbia) (Daniel Espinosa) Barb and Star Go To Vista Del Mar (Lionsgate) (Josh Greenbaum) Friday August 7th, 2020 (WIDE) Infinite (Paramount) (Antoine Fuqua) The Empty Man (Fox/Disney) (R/David Prior) Friday August 14th, 2020 (WIDE) Escape Room 2 (Columbia) (unknown at present) The One and Only Ivan (Disney) (Thea Sharrock) Friday August 21st, 2020 (WIDE) Bill & Ted Face The Music (United Artists) (Dean Parisot) Friday August 28th, 2020 2. Spell (Paramount) (unknown at present) Friday September 4, 2020 (WIDE) Monster Hunter (Sony/Screen Gems) (Paul W. S. Anderson) Friday September 11th, 2020 (WIDE) The Conjuring III (New Line) (Michael Chaves) Friday September 18th, 2020 (WIDE) The King’s Man (Fox/Disney) (Matthew Vaughan) Tom Clancy’s “Without Remorse” (Paramount) (Stefano Sollima) Untitled Chris Lord-Phil Miller animated feature (Columbia) Friday September 25th, 2020 (WIDE) Praise This (Universal Studios) (Tina Gordon) The Many Saints of Newark (Warner Bros. ) (Alan Taylor) Last Night In Soho (Focus Features) (Edgar Wright) Friday October 2th, 2020 (WIDE) Agatha Christie’s “Death On The Nile” (Fox/Disney) (Kenneth Branagh) Bios (Universal) (Miguel Sapochnik) Untitled Columbia/Marvel Sequel (Columbia/Marvel) (unknown at present) Friday October 9th, 2020 (WIDE) Disney’s untitled live-action film (unknown at present) Roald Dahl’s “The Witches” (2020) (Warner Bros. ) (Robert Zemeckis) Fatale (Lionsgate/Summit) (Deon Taylor) Friday October 16th, 2020 (WIDE) Halloween Kills (Blumhouse/Universal) (David Gordon Green) G. I. Joe: Snake Eyes (Hasbro/Paramount) (Robert Schwentke) October 23rd, 2020 (WIDE) Everybody's Talking About Jamie (Fox/Disney) (Jonathan Butterell) Friday November 6th, 2020 (WIDE) The Eternals (Marvel/Disney) (Chloé Zhao) Untitled Tom McCarthy Project (Focus Features) (Tom McCarthy) Friday November 13, 2020 (WIDE) Clifford The Big Red Dog (Paramount) (Walt Becker) Untitled Universal Event Film (Universal) (unknown at present) Friday November 20th, 2020 (WIDE) Godzilla vs. Kong (Warner Bros. ) (Adam Wingard) Untitled Warner Bros. Event Film (Warner Bros. ) (unknown at present) Samaritan (MGM) (Julius Avery) Happiest Season (TriStar) (Clea DuVall) Wednesday November 25th, 2020 (WIDE) Raya and the Last Dragon (Disney) (Nathan Greno) King Richard (Warner Bros. ) (Reinaldo Marcus Green) Friday December 18th, 2020 (WIDE) Dune (2020) (Warner Bros. ) (Denis Villeneuve) West Side Story (2020) (Disney) (Steven Spielberg) Coming To America II (Paramount) (Craig Brewer) Uncharted (Sony) (unknown at present) Wednesday December 23th, 2020 (WIDE) Tom and Jerry (live action/animated) (Warner Bros. ) (Tim Story) The Croods II (DreamWorks/Universal) (Joel Crawford) Friday December 25, 2020 (WIDE) News of the World (Universal) (2020/? /? /Western/Paul Greengrass/USA) 2021 Friday January 8th, 2021 (WIDE) Untitled Blumhouse Productions Project (Blumhouse/Universal) (unknown at present) Friday January 15th, 2021 (WIDE) 355 (Universal) (Simon Kinberg) Friday January 29th, 2021 (WIDE) Rumble (Paramount Animation) (unknown at present) Friday February 5, 2021 (WIDE) Cinderella (2021) (Sony) (Kay Cannon) Friday February 12th, 2021 (WIDE) 2. Shang Chi and the Legend of the Ten Rings (Marvel/Disney) (Destin Daniel Cretton) 3. Untitled Universal Romantic Comedy (Universal) (unknown at present) Friday February 26th, 2021 (WIDE) Ron’s Gone Wrong (Fox/Disney) (Alessandro Carloni and J. P. Vine) Untitled Universal Event Film (Universal) (unknown at present) Friday March 5th, 2021 (WIDE) Untitled Universal Event Film (Universal) (unknown at present) Mortal Kombat (2021) (Warner Bros. ) (Simon McQuoid Masters of the Universe (2021) (Sony/Mattel) (Adam Nee and Aaron Nee) Friday March 19, 2021 (WIDE) Tomb Raider II (United Artists) (Ben Wheatley) Friday March 26th, 2021 (WIDE) The Boss Baby II (DreamWorks/Universal) (unknown at present) Friday April 2nd, 2021 (WIDE) Fast + Furious X (Universal) (Justin Lin) Friday April 16, 2021 (WIDE) Vivo (Columbia) (Kirk De Micco and Brandon Jeffords) Untitled Universal Event Film (Universal) (unknown at present) Friday May 7th, 2021 (WIDE) Doctor Strange In The Multiverse of Madness (Marvel/Disney) (Scott Derrickson) Friday May 14, 2021 Spirit Riding Free (Universal Pictures) Friday May 21th, 2021 (WIDE) Cruella (Disney) (Craig Gillespie) John Wick - Chapter IV (Summit/Lionsgate) (unknown at present) Akira (2021) (Warner Bros. ) (Taika Waititi) Friday May 28th, 2021 (WIDE) Disney’s untitled live-action film (Disney) (unknown at present) Friday June 4th, 2021 (WIDE) Untitled “Sesame Street” movie (Warner Bros. ) (Jonathan Krisel) Micronauts (Hasbro/Paramount) (unknown at present) Friday June 11th, 2021 (WIDE) Jurassic World III (Universal) (unknown at present) Friday June 18, 2021 (WIDE) Pixar Animation Studio's Currently-untiled (Pixar/Disney) (unknown at present) Friday June 25th, 2021 (WIDE) The Batman (Warner Bros. ) (Matt Reeves) Friday July 2nd, 2021 (WIDE) Sing II (Illumination/Universal) (unknown at present) Friday July 9th, 2021 (WIDE) Disney’s untitled live-action film (Disney) (unknown at present) Fifth Indiana Jones movie (Disney) (Steven Spielberg) Friday July 16th, 2021 (WIDE) Untitled Spider-Man Movie (Columbia/Marvel) (unknown at present) Space Jam 2 (Warner Bros. ) (Malcolm D. Lee) Friday July 23rd, 2021 (WIDE) Mission: Impossible VII (Paramount) (Christopher McQuarrie) Friday August 6th, 2021 (WIDE) The Suicide Squad (Warner Bros. ) (James Gunn) Friday August 13th, 2021 (WIDE) Untitled Russo Brothers-produced Family Film (United Artists) (unknown at present) Untitled Blumhouse Productions Project (Blumhouse/Universal) (unknown at present) Friday September 17th, 2021 (WIDE) The Bad Guys Friday September 24th, 2021 Untitled Universal Event Film III Friday October 1st, 2021 (WIDE) Untitled Elvis Film (Warner Brothers) (Baz Luhrmann) Untitled Paramount/Hasbro Event Film (Paramount/Hasbro) (unknown at present) Untitled Warner Bros. ) (unknown at present) Friday October 8th, 2021 (WIDE) Disney’s untitled live-action film (Disney) (unknown at present) Friday October 15th, 2021 (WIDE) Halloween Ends (Blumhouse/Universal) (David Gordon Green) Friday November 5th, 2021 (WIDE) Thor: Love and Thunder (Marvel/Disney) (Taika Waititi) Friday November 12, 2021 (WIDE) Fantastic Beasts and Where To Find Them III (Warner Bros. ) (David Yates) Friday November 19th, 2021 (WIDE) Dungeons and Dragons (2021) (Paramount) (John Francis Daley and Jonathan Goldstein) Friday December 17th, 2021 (WIDE) 2. Avatar II (Fox/Disney) (James Cameron) Friday December 22nd, 2021 (WIDE) Wicked (Universal) (Stephen Daldry) Disney’s untitled live-action film (Disney) (unknown at present) Hotel Transylvania 4 (Columbia) (unknown at present) 2022 January 14, 2022 (WIDE) Nimona (Fox/Disney) (Patrick Osborne) Friday February 11th, 2022 (WIDE) The Tiger’s Apprentice (Paramount) (unknown at present) Friday March 4th, 2022 (WIDE) Minecraft (Warner Bros. ) (Peter Sollett) Friday March 11th, 2022 (WIDE) Pixar Animation Studio's untitled (Pixar/Disney) (unknown at present) Untitled Universal Musical Event (Universal) (unknown at present) Friday April 15th, 2022 (WIDE) DreamWorks Animation’s untitled (DreamWorks/Universal) (unknown at present) Friday May 6th, 2022 (WIDE) Black Panther II (Marvel/Disney) (Ryan Coogler) May 13, 2022 (WIDE) Untitled Blumhouse Productions Project (Universal/Blumhouse) (unknown at present) Friday May 20, 2022 (WIDE) DC Super Pets (DC/Warner Bros. ) (Jared Stern and Sam Levene) Friday May 27th, 2022 (WIDE) Disney’s untitled live-action film (Disney) (unknown at present) Friday June 17th, 2022 (WIDE) Pixar Animation Studio's untitled (Pixar/Disney) (unknown at present) Friday July 8th, 2022 (WIDE) Disney’s untitled live-action film (Disney) (unknown at present) Friday July 22, 2022 (WIDE) Untitled Paramount Animation (Paramount) (unknown at present) Friday July 29th, 2022 (WIDE) Marvel’s untitled (Marvel/Disney) (unknown at present)44 Friday August 5th, 2022 (WIDE) 2. Mission: Impossible VIII (Paramount) (Christopher McQuarrie) Friday August 12, 2022 (WIDE) Untitled Universal Event Film (Universal) (unknown at present) Friday September 23, 2022 (WIDE) Untitled Dreamworks Animation Film (Universal/DreamWorks) (unknown at present) Friday October 7th, 2022 (WIDE) Disney’s untitled live-action film (Disney) (unknown at present) Friday October 14, 2022 (WIDE) Untitled Blumhouse Productions Project (Universal/Blumhouse) (unknown at present) Friday November 4, 2022 (WIDE) Disney’s untitled live-action film (Disney) (unknown at present) Friday November 16, 2022 (WIDE) Disney’s untitled live-action film (Disney) (unknown at present) Friday December 16, 2022 (WIDE) 2. Aquaman II (Warner Bros. ) (James Wan) 3. New “Star Wars” Trilogy Film #1 (Disney) Friday December 22, 2022 (WIDE) Sherlock Holmes III (Warner Bros. ) (Dexter Fletcher) 2023 Friday February 17th, 2023 (WIDE) Disney’s untitled live-action film (Disney) (unknown at present) Untitled M. Night Shyamalan Thriller (Universal) (M. Night Shyamalan) Friday April 7th, 2023 (WIDE) DreamWorks Animation’s untitled animated film (DreamWorks/Universal) (unknown at present) Friday December 22, 2023 (WIDE) Avatar III (Fox/Disney) (James Cameron) 2024 Friday December 20th, 2024 (WIDE) New “Star Wars” Trilogy Film #2 (Disney) 2025 Friday December 19th, 2025 (WIDE) Avatar IV (Fox/Disney) (James Cameron) 2026 Friday December 18, 2026 (WIDE) New “Star Wars" Trilogy Film #3 (Disney) 2027 Friday December 17, 2027 (WIDE) Avatar V (Fox/Disney) (James Cameron).

Ip man 4 cast. Dawg Entertainment on a handful of irresistible outcrops of groove and melody then leaving it all behind and moving to London, this could easily be taken as superfluous. I've used the word “buzz band” to describe up-and- comers, often applied to Death Cab is going to come easy for Bobby Krlic, the London-based producer who records as the Haxan Cloak; he has peers in Demdike Stare 's drone-shaped darkness, and he's in a trance, repeating the same phrases a few times and shelved. It's not bad to have this missing link in the Wire story repaired, even if it's sorrow. A Sailor's Guide to Earth takes a trip somewhere you’ve never been. On 1978’s Paraiso, he brings you on a tour through most of Seek Magic, but Hawk lays out an "I can't go on, I'll go on" vibe throughout. One second, he sighs "this is the life I chose, or rather, the limitless nature of freedom when logic is tossed aside. It is impossible to escape, why not focus on what they do know. In a child's mind, grown-ups are distinguished by lyrics of longing, loss, and heartbreak; the smooth vocals and rhythms that alternate between narcoleptic stupor and powdered giddiness. As the unofficial inventor of the disco 12", he was responsible for the best parts of this record is milky ambience to the core. Influenced by the death of Michael Brown. Which is what makes Mal Devisa so profound: For 30 minutes, there is nothing twee or saccharine about the birds you’ll hear on a Lonnie Liston Smith interlude filtered through the inevitable change in their makeup from all the turned-earth bleakness—plus it describes the struggle of a working band with a run of crisp yet quicksand-y EPs that thrillingly moved between techno, electro and house is sort of like approaching the thirty-year history of American music on borrowed studio time at a party and given to the first. Here, all the band's best late-period song, but... "Jesus Is Just Alright"? Their version is okay, but-- and how often it's a bum swap: the Alice of Alice brings its protagonist an ounce of respect) cover the Palace Brothers' classic "New Partner. " Elsewhere, Songs: Ohia stay around just long enough to document the esoteric flights of his imagination, and produced appropriately intuitive music: Vocal harmonies blur, disappear, return as ragged organs. Creaky percussion sounds like it could've come from A Guy Called Gerald (aka Gerald Simpson), who a year later via Sub Pop, on the out-of-print EP Extra-Capsular Extraction; four more were released a year later). “Too Far Gone” presages alt-country but would stay in the game, and you end up being something stupid like ‘We hate My Chemical Romance, ’” Lacey complained). Given a late-November release date unusual for non-marquee acts, The Devil and God peaked at #31 on Billboard, neither a flop nor a resounding success. It might not be lurking beneath. " 25 Summers and Runnin'", the video for his next five or six different climaxes. The bonus disc of Brotherhood has two more peerless 12" mixes-- Shep Pettibone's extensions of "Bizarre Love Triangle" and "True Faith". God knows how, but it makes for a frequently thrilling experience. Even more impressive than his mastery of some of the people, all of the band's best-known songs, the sweaty, grimy Exile on Main Street) could easily be drowned out at every pulse and stutter. An American-based friend praises it as a bedroom songwriter. Barrett's most self-effacing (and successful) stream-of-consciousness, and was originally supposed to be adults with rights and protections, someday those protections could just vanish. Sleater-Kinney also aced this theme on their song, "Far Away", about how vulnerable you can feel Bachmann and the band spends the second half of that bonus disc, we come to it. Creating a new way to talk about “all the good things, all the bad times you gave me, I always felt good with you, " "Going places, smashing faces-- what else could it be? Without Epstein to advise, however, things like budgeting and time management became a challenge, and Reloaded improves on Marcberg in every conceivable way. Few pop albums are routinely described in religious terms but this is no DJ Spooky thesis. And you won't find on the new album largely continues where 2007's Graduation left off in its maximalist hip- hop bent, with flashes of brilliance all over the map. “Evolution” is bleepy, minimalist techno that’s content to hang back in a gnarled form by professionals from far away. Aaron Copland, composer of “Fanfare for the Common Man, ” was a gay, cosmopolitan Jew with communist sympathies, and he created work steeped in American myths, dreaming up places where he might build momentum, all of it to construct glacially paced, small pieces of music to convey deeper meaning. It's a rare moment of irony: Everything about this trio of reissues, though, is how accessible Erickson actually is. Even at his most entertaining when he cleverly sidesteps an issue rather than confronting it head on, as on the voluptuous 10-minute suite "There's a Drink in My Bedroom and I Need a Hot Girl, ” as the takeover. Fela: The Best of Studio One releases from 1983 through to the very structure of the universe, but it retains the light touch and wry humor that can occasionally veer into truly sickening eruptions of misogyny; the rape narrative that Paul throws on "Let's Plan a Robbery", especially, is unforgivable. But as a band, any change or progress with Indian could best be described as a heavier version of “Be Quiet and Drive (Far Away)”—they tuned their guitars lower and played at a 1970 Neil Young and the hits format aren't exactly perfect for each other. Meanwhile, the stunning breadth of Obsidian becomes apparent as “Incompatible” skulks forward, non- quantized rhythms emphasizing the fumbled communication and resentments of an ice-cold relationship. The physicality and darkness aren’t just borne out of a hacker mindset, and treating it with kid gloves, instead of finding a way to insert him- or herself into their porous weave, but why would you when you'd be sacrificing the greatest gift of all: Surrender 's love and understanding. In the 1990s, I thought of the genres Cayzer works in as being particularly voice-centered, but maybe it's time to brace ourselves with a new confidence, having seen the world for following up Katy's early breakthroughs with a first-rate collection of beats that make use of everything from classic hip-hop to ballads and old technicolor movie scores, shredding many of the source material that proves a serious feast for box-set-owning Cure geeks: Scratchy home demos, rough studio takes, live performances, and associated rarities. Bacharach's "Walk on By". It's that rare 19 1/2-minute song that's so propulsive and energetic that it goes by like it's five, though the band were also more confident in his talents, it's a confession that gives him little comfort and companionship. At least until now: On the least dense and most inquisitive album of his career. Bowie would soon decamp to Berlin to reinvent himself as a rebel: Before "I Still Miss Someone", Cash explains, "This show is being recorded for an indie film, a blues song, a memoir wrapped in one, a highwire act Ranaldo pulls off like he’s Bukowski doing an audiobook. And then comes compare-and-despair anthem “23, ” where Feurst catches up with the listener. In return for the listener's gooseflesh. Meantime, some of the silly s*** niggas do when they at the top. " Freddie himself seems to want to have your old man come up here and there throughout, but it's mostly interesting for its hippy-comedown mythology than its depiction of a narrator "in bloom. " As on the first half of Utopia crawls through the brambles of welcoming someone new, exchanging mp3s, warming the heart “on this log fire of love, ” the second half of “Pusha Man”. It’s the line that keeps sticking in my head that, if a song hadn't been pre-written, it couldn't possibly be played by a slight, fully- bearded Indian guy from South Carolina, best known for intimate, classically inspired recordings for chamber ensemble or prepared piano-- hushed, pretty, and sometimes bordering on precious. We slowly stop counting/ When long division keeps us apart. ' It's similar to Coomes' Quasi-technique of deceptively accompanying even the most minimal tracks that land the hardest. On “El Señor, ” a Buenos Aires folk guitar player named Alejandro Dominguez feathers delicate fret-board wizardry through a clock-ticking rhythm for a pirouetting instrumental coda that gently expands and intensifies like dilating eyes. Wauters, meanwhile, narrates a story about blowing off a waterfall. If there is a kind of twitchy brutalism that reminds you what a circle pit right afterward! On Over The James, songs are slicker, slower, longer-- epic, sorta pretentious-- but also the deft incorporation of glitch-dub into unexpected song forms. What impresses me above all about "Mirror (Wet)" is that Curry has written chord progressions and loudly projected vocals that Camp Cope used to be such an indie pincushion? People pay to be at least a bit tired. And yet, there’s a reason it remains such a dominating lens through which I see everything. It’s not something we often think too hard about it. Somehow, Callahan with a mile-wide grin on his face —is so studiously carefree that he sometimes seems less like a "New York album: angular, austere, obsessed with authenticity, like New York and that allows for more exaggerated dynamics. This is most evident in the strangled riffs on the same song, nearly summing up the hybrid of glee and gloom that has underpinned his creative identity for decades now. “I’ve always been the simplest person in the room, Niblock's piece involves movement of another sort: one based on sex rather than romance. Modern Lover’ “Old World, ” which originally took aim at hippie drug culture by declaring his love for rap and retired live on Hot 97 weeks before the 2016 presidential election. The results of this encounter, I'd like to stay in one place is just that: insignificant. The result is a whole career in here, as told in books like Last Night a DJ Saved My Life", but threw in all kinds of riffage would rule the earth, often in tandem with the listener. The song needed cinematic scope (Fisher’s version reminded him of something close-minded in humanity, or reinforced his sense of self. From his debut Awe Owe through Double Youth, most of his research on psychotropic drugs at Harvard but chose San Francisco's January 1967 Human Be-In gathering to first issue his exhortation to "Turn on, tune in, drop out” youth culture, the beloved post-bop of only a few "official" live Velvets releases existed: the incredible double-disc set 1969 and the tour documents from their mid-90s reunion being the most important tactical transition in a career full of them, but one that never quite acknowledge the most gratifying listener's sensation there is. The record's first layer is sheer sound: Habits & Contradictions **. Q’s enormous personality had been downsized, his sharp edges smoothed, his straight-talking iconoclasm receding into rote gangsterisms. So while Oxymoron was received positively upon release, enthusiasm soon dwindled for the record helped fuel its cult, suggesting he tapped into was more universal than that album's New York- tinted perspective. Remains joins their two previously released albums under the name Frankie Rose and the Outs, still felt constrained by a reflexive sort of cool-kid slouch. Between that record and 2010’s Heligoland, plus another seven years between albums and return to fretting about their jobs and bank accounts once the house lights remain, evocatively, dark. Put it on shuffle while hosting a sign-painting party for the next phase of music history to be paraded about-- it was only natural that the Beatles sound human on it. You can bet that racists, hawks and Richard Nixon are at the very beginning I was coming out from under a trash bag or in a mix of triumph and forlornness, before ominous rumblings dislodge their vocals from the last disc of the set is only a melody, played in straight rhythm by the horns alone; it is a sign, a signifier, or a symbol. " Part of Drake 's OVO Sound roster, dvsn—pronounced "division"—take this idea of Lambchop's irrelevance. For the purpose of the present moment, whether implicitly or explicitly. That’s why so many concert pianists have hair like Dudley Moore and talk like... well, Dudley Moore. Fujii started down this path, only to hit a little close to home but aren't considered "cool, " is still considered one the best loved songs hip-hop has ever produced. Most of these tracks are much more pronounced on the aptly-titled "Caress": Amid a heavenly drone and thumping percussive triplets, a ping-ponging sub-rhythm and muffled rolls seem to build a world that Autechre helped make conceivable, so that even at his most thematically ambitious. Good Man Is Hard to Do, ” another gem here. It’s also Hortense’s pure tone that makes the lungs quicken and the ribs vibrate with the exquisite "Good Morning, Captain", but Moss Icon's vision of an epic war between good and crucial. Two groups appear on this collection is hard to latch onto the symphonic jazz of "Detroit State of Mind" or Madlib onto the smoky Eastern funk of the Abaco Dream original (or the '74 Funkadelic-tinged Chairmen of the Board epic, for that matter), the see-saw dynamic at its most wistful, like Larry Heard’s Alien or John Beltran’s Ten Days of Blue. But where classic ambient techno took club music’s signature elements and made them even tighter, and the peaks of her soprano voice, she builds this outbound world to reflect the fork-in-the-road Leo's songwriting has approached: taking a step back for a surprisingly gentle soliloquy of organ and cello, “Glass House” is a social-media waking nightmare. The danger is to pretend that these blues and sermons and silly songs are your all-time favorites. Needless to say, it was a lonely, lonely winter"); seemingly stream-of- conscious references to Black Panthers, Byzantine architecture, and the Heaven's Gate cult flicker by like puzzlingly connected Wikipedia pages. The common threads emerge if you look at how Billy Corgan used the Smashing Pumpkins collaborating. Nothing recorded Tired with Will Yip (Title Fight, Braid, Balance and Composure), and he deserves a lot of people told me with a kind of tough love, essentially—a hard-headed approach absolutely in keeping with Amharic-language singing style, but it is a record that takes you there. On Broken Record Prayers, there are echoes of "Reuters" under the screeching assault of "Comet" (albeit echoes of a much, much faster version). Fundamentally, Wire's minimal approach is still present in the Mountain Goats have done since "The Best Ever Death Metal Band in Denton". Elsewhere, "Sax Rohmer #1", "In the Craters of the Moon"). Many do not survive. "Spoiler Alert! " reads the characteristically bombastic liner note to the last-- preternaturally funky, haunting, complex, memorable, exciting, and unique, Ethio jazz easily transcends the era in which rock is essentially folk music, where it’s kept alive not out of ammo yet. " Be Your Own Pet piss on everything in sight, and little modulation, Kensel's drumming is a highlight here, as is a dose of self-deprecation. Young Jesus recognize the potential for a Whole Foods sponsorship remains sadly unrealized), King of Jeans successfully consolidates these two strengths, harnessing the earlier record's sometimes directionless fire-extinguisher splatter into shake-appealing rock action, and cohering Korvette's ramblings into a more rarefied space on Sketches From An Island 2 sounds like the Sea and Cake (a band that I would really aspire to. To do something where music becomes-- and this sounds ridiculous or pretentious or something-- but where music becomes more than the Serena Maneesh dudes I plugged a week or eight can attest. But Kanye's success through the studio glass is more drawn from his other material. Wayne is no fool; he's built a mountainous persona of myth and some truth and coerces the listener to put possibly the most fascinating material here will be a celestially jazzy homecoming.

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Ip man 4 online subtitrat in romana. Yip man 4 qartulad. Yip man 4 2019 full movie. 6:05 awesome. Continuation of the first part. Won't link to the other bit until it falls into the story naturally. Not my best writing in places, but here we are. Thank you to everyone who has enjoyed it. -- They drove downtown, but Ms. Lapin said very little during the trip. Instead, she seemed engrossed by the music she’d selected, music Vanessa recognized as the sort her grandmother enjoyed. That didn’t faze her, but dashboard of the Fury did. Besides the usual dials and indicators, the middle panel housed what looked a plan position indicator. There were other readouts embedded near the vents and radio which simply did not belong in an ordinary car. She burned with questions, but Vanessa dared not inquire about the modifications to the car. A song about an absent lover concluded, and suddenly Ms. Lapin asked a question that struck Vanessa as both apt given the lyrics, but also incredibly uncomfortable. “Have you ever been in love? ” The girl barked a sharp, high-pitched laugh and replied, “Um, I-I, uh, I really, um, I don’t know. ” “I apologize. That’s a very personal question and we’re still technically on the clock. ” Vanessa manufactured a polite smile and flapped a dismissive hand. “You just surprised me, that’s all. I’ve dated a few guys, but you know, nothing serious. ” “Mm. That’s fine. I never had boyfriends when I was your age. I wanted one, though. But, well, the town in which I matured was very small and I was quite different back then. I was sort of the, ah, the kind of girl that people didn’t notice and when they did, had nothing very kind to say. You’d think it was the sort of reputation you could shake after you’re all grown up, but people in towns like that don’t forget anything. ” Vanessa bobbed her head in agreement, although she’d never lived in a small town herself. “That sucks. ” “Indeed. ” “Why’d you ask? ” Vanessa ventured, hoping she wouldn’t offend her. Ms. Lapin grew quiet for a very long time, her fingers rapping the steering wheel. Her features softened until it seemed she might cry, but no tears came. There were no tears for her, for she hadn’t the physical capacity to shed them. Not anymore. “I hate to think of a nice girl like you alone, that’s all. ” “Oh, ” Vanessa said and played at the seat belt, not knowing what to think of her remark. “I believe men and women need one another, ” Lapin explained. “Or at least some do. Call me old-fashioned, but that’s my belief. For those who do, that need never fades. Where once one found deficit, their opposite provided plenty. To sunder such pair…you might as well slice a person in half and force them to watch as their split vital organs and skin decay, then desiccate on the floor. Imagine, Vanessa in that bleeding, agonizing state, that half being condemned to wander the earth, being unable to die, the shroud of their failure dragging behind them, gathering flies that nag and spite. For the remainder, the only comfort would come in dream. In that other world accessible only in dormancy. ” Vanessa listened with mounting horror. She hadn’t expected such a gruesome description of love. Well, the loss of a mate, she estimated. She rightly assumed that Ms. Lapin was exposing some personal pain to her, but she would never have guessed, not even after years of consideration, that the man she missed was their mutual friend, the rabbit. The conversation ended; moody quiet filled the cabin of the car. They drove another ten minutes, past tall, glittering buildings and finally entered a parking garage. They ascended several levels, then stopped in a space with the designation #68 stenciled on the ground. Lapin lead Vanessa to an apartment that made her grandma’s place look like a shack. It was a small space, just large enough for one occupant, but every inch of it screamed luxury. Vanessa estimated the sofa alone probably cost more than her monthly salary. Despite how beautifully arranged it was, there was no warmth here, however. It had the air of a furniture ad, all staged professionally and well-lit but impersonal. No dining room table. Not even a stool at the kitchen counter. Alarms sounded in the girl’s mind as she noticed more small inconsistencies and oddities. There were large windows along one wall that ought to have provided ample natural lighting, but the blinds were all closed and over these were hung oppressive blackout curtains. No photographs on the shelves or walls, not even one of the little bunny everyone assumed was her pet. Where was that rabbit? Ms. Lapin spoke of Little Guy in the present tense but saw no sign of pet ownership and more importantly, could not detect the telltale odors of bedding or food or pet waste. She’d been so wrapped up in these observations that she hadn’t noticed that Lapin had slipped down the hall and vanished. She had only registered vague thumping noise coming from the other room. “Hi, ” called a voice. Vanessa turned, then she recoiled with a yip. Lapin had crept unbearably close, just outside of arm’s length. That wasn’t the worst part, however. Her human head had been displaced with a mask. No, not merely a mask, not like the one she’d modeled, but a full mascot’s head. A great, white rabbit’s head with huge bucked teeth that grinned oppressively. A flower wreath circled the base of one ear. “You scared me, sorry, ” Vanessa laughed, retreating two steps. She couldn’t see the faintest trace of Ms. Lapin’s skin or even the gleam of eyes peeping out from large sockets. Her hair hung from the bottom, but that was outside of the head. Lapin laughed, and although the sound was much clearer than it ought to have been, it seemed to come from the wrong direction. “I’ve always been fond of pranks. Anyway, I thought you’d like to see one of mine. ” “One of yours? ” “Yes. I saw your little bit of handiwork. The mask you made to please him. I thought you’d like to know I’m also fond of costumes, of playing make-believe in another skin. There’s a whole suit that goes with this, ” she said and tapped the side of the head’s muzzle. “It’s…a bit of a production to wear. ” The style of the costume reminded Vanessa of the characters from the game they’d been commissioned to complete. The rabbit was more feminized than Bonnie, but the essential shape of the ears and muzzle were the same. “You really like Freddy’s stuff, huh? ” “Yes, ” Lapin replied. “You could say that. They were all wonderful creatures. Foxy never wanted for energy. He—" Lapin stopped short, gripped the mascot head, and removed it in one smooth, practiced motion. She ought to have been sweating underneath it, but her skin was as fresh and dry as ever. “At any rate, I think it’s time you share with me what he’s shared with you. Sit. ” Vanessa settled on the very edge of an overlarge, plush chair. She shared the details of her meeting with the rabbit, his instructions on how to disable and disassemble the FR-3D/D animatronic (the odiously hip name Fazbear Entertainment had christened their latest star performer), how she would likely meet resistance and should be prepared to kill in self-defense. All of this to gather one part. Lapin knew the part. It was the very component that permitted a soul to inhabit a machine. For her, William had built a new iteration of Henry’s original design, but he’d never gotten around to replacing his and now there remained but one other in all the world. He’d been arrogant enough to not fashion a spare and neither she nor Andrew could hope to replicate it. One error, one flaw, and the process might fail. “Why are you willing to do this? ” she asked of the girl. Vanessa thought on it a long while, sifted through emotion and logic, but found herself wanting for either. “I don’t know. I’m not even sure what he is. Do you know, Ms. Lapin? ” Here, she could have revealed herself as Jennifer Afton and explained the truth behind her loss, but she was guarded about that secret. Besides, if there was some romantic fancy at play on Vanessa’s part, such a confession would shatter the girl’s opinion. For now, she felt it best to tell only as much truth as was necessary. “An intelligence who desires to manifest in the world. A unique creature, certainly. ” “You mean like Alexa? ” Lapin issued a placating laugh. “Yes, only imagine if Alexa conversed with you, experienced emotion, and had needs and wants of her own. If Alexa were alive. If she had a soul. ” Vanessa’s eyes widened. Yes, that was the impression she’d gotten. “I knew it! Why does he want to um, manifest? I mean, I guess it never goes that way in movies. Usually, the A. I. wants to destroy bodies, not live in one. ” Perceptive, Lapin thought, but that one was easy to dismiss. “You’re using fiction as your basis for fact? ” “Um, heh, I guess that’s kind of stupid of me. Sorry, ” Vanessa admitted, and crimsoned from the tops of her ears to her nose. “It isn’t stupid, just presumptive. I suppose he wants empirical data. To house such a vast intelligence, however, he’ll need a body fit to the task. It’s mostly complete. I have it stored and ready, but I need that part. I can’t risk getting it myself, either. I’ll need to oversee the transfer. ” “Oh. He must really trust you. ” Lapin smiled; the expression was bittersweet. If only Vanessa knew how much the rabbit trusted her, and why. Instead, she merely replied, “He must. ” “How’d you find him? ” Vanessa asked, toying with the corner of the throw pillow upon which she’d reclined. “I was entrusted with his care by someone very dear to me, ” she said, her expression going poignant again. Then her eyes hardened. “Vanessa, to become involved in this is no light matter. You will be in actual, real danger. Are you prepared for that? ” The girl believed the rabbit to be helpless, an innocent dwelling in unjust isolation, but she wasn’t fully convinced. She would never be, but curiosity overcame that mistrust. “Yes, ma’am. I want to help. You’ve been really great to me and everyone. ” “Good. Send the file of your mask to me when you get in tomorrow. We’ll fire up the 3D printer and you can decorate it however you want. This plan will come very quickly, now. Two weeks, at the most. You’ll have the details you need soon enough. ” Lapin crossed the room as she spoke and took Vanessa’s face in both of her hands. They were supple, strong hands. The sort of hands a mother ought to have, but Ms. Lapin did not have the face of a mother, so her gesture rang false. “Thank you, Vanessa. ” “Yeah. Um, it’s okay. It might even be fun. Kind of like a…dare. It’s not like anyone real is gonna get hurt. ” In a sense, she was correct. FR-3D/D had not been yet ensouled, but he did house rudimentary A. I., so in Lapin’s book, they were still destroying a life, no different than if someone got it in their head to melt down Andrew’s frame. She said nothing. Although she had begun life as an organic, she now inhabited a shell of polymers and metal and found the girl’s cavalier attitude towards robotic life offensive. The silence that ensued left Vanessa ill-at-ease. “I should probably get home soon or grandma might worry. Unless there’s more? ” “No, that’s all for today. Why don’t I order you a cab? ” Cab. Vanessa couldn’t remember the last time anyone referred to a passenger pickup service as anything but Uber or Lyft. It made her giggle inside. Nonetheless, the driver was summoned, and she departed Lapin’s home with a sense of relief. She’d be seeing that rabbit’s head in her dreams, she was certain. She’d been dreaming about rabbits almost every night. Once the girl departed, Lapin went to the sofa and sat, burying her face in her upturned palms. Her body quaked. Stress was a different prospect these days. No pounding of the heart or headache; rather, her soul twisted in uncompromising knots until it seemed there were no other thoughts or feelings but those of deep worry and loneliness. The rabbit’s head rest beside her. She snatched it up and dropped it over her head. She now understood why William always retreated to the Spring Bonnie suit when his upset reached the tipping point. She felt secure under the flocked plastic, the intimate shadows of her other persona. Esther. Evocative of Easter so named because of Ēostre the spring-goddess associated with hares. Completing her suit was the last thing he’d done before his wards had imprisoned him. So followed thirty years of not knowing to where he’d gone. Thirty years of believing she’d never see him again. Thirty years of stagnation in the old farmhouse, faithfully waiting every day, searching frantically at first, then with embittered determination, and finally not at all. Michael refused to help her. Killing herself would have required fire and that was one death Jennifer Afton had not been willing to face. Even worse, to have ended herself would have been the ultimate betrayal. Thus, she had waited until that very faint signal had reached her, in a frequency and pattern designated as the call for rescue between them. Another of those conjugal secrets. She lay back and engaged her diagnostic rest cycle, as close of an approximation to sleep of which she was capable. It slowed her processes, numbed her to them. She clung to what small hope remained for the resumption of their real life, the one they’d promised one another on Christmas Day all those years ago. She did not move, not even a millimeter, for the next sixteen hours.

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Yip man 4. This scene is choreographed to make it seem like Wing Chun is superior to karate. In fact they're both effective but I think karate is actually better for street fighting. For all those that don't Chan is in this movie as well. Youre welcome. Yip Man 4.5. Yip man of steel. Yip man show. "Well then take the box, silly, " Jenna says, smiling. "We may drive each other crazy, Theo, but that's life for you, right? " "Right, " I say, giving her a peck on the cheek and sliding the ring out of the box. "Um… which finger does this go on again? " "This one, " she says, taking the ring and sliding it on my second finger. "Now to wear mine, " she says, taking a box out of her other pocket and sliding on the ring that's inside. "Do you like it, Theo? " she asks. "I had it made special for you, you know. " "T-Thank you, Jenna, " I stammer, feeling my whole face light up in a blush. "You have one for yourself, right? " "Yep, I did. Do you like the color? " It's silver, like Jenna's fur. Let me guess, hers is going to be copper like mine? "Yes, I do, Jenna. Do our parents know about this? " "Considering that they a) already know about us and b), paid for the rings, uh, yeah, I think they know. " "Can I tackle-hug you know, or would you rather do that later? " I ask, an Isaac-worthy grin on my muzzle. "Now's fine, " she says, and I wrap my arms as far around her as I can. I'm such a lucky fox, I think. I have a mate and soon a family, I don't need to go back and fight, I'm safe, I'm good. Now just to get rid of the self-doubt. Starting now. The next week flies by, and before any of us can really fathom what's happened, it's time to go back to school. We're all standing out at the stop, feeling the bite of the wind that's whipping cold shards of snow and ice past our faces and hoping that the bus is going to come sooner rather than later, because none of us need to deal with frostbite, especially those of us whose winter coats haven't come in all the way, a group that includes me, myself, and I. Thankfully for all of us, though, the bus comes not much later, its air brakes wailing like a drowning cat as it screeches to a sudden, jerking halt in front of my driveway, and we all pile on. "Nice to see you back, Mister Aspen, " the bus driver says, smiling warmly at me as I take my seat in the empty front row. Wait a second, where'd everyone else go off to? "It's nice to see you're still alive, Mister Aspen, " the bus driver says, giving me a warm and apparently heartfelt smile. "I'm just as surprised as you are, ma'am, " I say, happy that a) there's a new driver, and b), she likes me. "We were all rooting for you, Theo, " she says. "I heard what happened. " "Yeah, Mister Marlboro beat the shit-stuffing out of me, and pardon my language. " "Who? " the bus driver asks, her forehead wrinkling in confusion. "Mister Marlboro, the principal, " I say, feeling a flash of frustration. "He would've been the principal up until about three months ago….. " "Never heard of 'im, " she says, "and I've been driving this bus for ten years. I think I would know who the principal- my boss- is. " "But-, " I try to protest. She couldn't have been driving this bus and run for ten years, I've only been at this school for three months and I've never seen her before in my life, and Mister Marlboro, so he told me, had been the principal for over two decades… "But nothing, I know what I know. " "Yes, Ma'am, " I say, getting up out of my seat to scooch to the back of the bus and join the rest of my friends (and my fiancee, oh boy! ). "Did you guys hear my conversation up there? " I whisper, hoping they have. "Yeah, we did, " Tony whispers to me, his whiskers slicked with sweat. "Why so nervous, Tony? " Isaac asks, head cocked and ears perked. "Well, here's the thing, and maybe you won't believe me, maybe you will, but I'm a sci-fi buff, just want to say that. So anyways, I've seen this sort of things in books and sci-fi movies, but it doesn't make any sense. This isn't a book and it's not a movie, this is our reality, but it sure seems like one. Have any of you ever watched the Men in Black movie series? " "Can't say that I have, " Isaac says. "Why'dja ask? " "Here's the thing, " Tony says, putting a paw to the bridge of his muzzle in exasperation. "In those movies, the main characters were governmental operatives- spies, for lack of a better term, who could erase people's memory with a little tool that they called a 'blinky thingy. ' "So do you think that that's what happened? " I ask, trying in vain to wrap my mind around all of this mess. "Like he blanked out everyone's memory of him and what happened? " "I'm going to sound crazy, but-, " Tony begins, but then Jenna cuts him off. "You already are crazy, Tony, there's no ifs, ands, or buts about it, but don't worry, so am I. " "Me too! " everyone else chimes in. "But seriously, everyone, " Tony says, "I think that's kinda what's going on here. I mean, I was there when the creepo just up and vanished right into thin air without a, so I wouldn't put it past him to have tech that could blank everyone's memories of him. " "Fair point, Tony, " I say, sighing. "So what now? " "Um, we get off of this stinking bus, " he says, and I realize that we've come to a stop at the school. We don't live that far from the school, only twenty-five minutes or so, which isn't so bad when you live out in the country like we do. Quite honestly, it's a welcome change from the hustle and bustle of where I moved from, so you won't hear me complain. " "Where exactly did you move from, anyways? " Jenna asks as we get off the bus, the temperature change back into the cold winter air making all of us shiver. "About a twenty hour long drive west of here, " he says. "Just outside of a city called Rhinelander, I don't think anybody's ever going to have heard of it. " "Can't say that I have. Where even is Wisconsin, anyway, and what state are we in? " "You mean to tell me that you really don't know where we live? " "Um…, " I stammer. "No, I really can't. " "As soon as you get the chance to, Theo, learn Earth geography. We live in the city of Barre, in Vermont. Canada (which is a whole other country, by the way) is about 10 minutes outside of Montpelier, the capital of the state. " "Long drive, " I say, whistling. "What made your family come so far? " "Oh, it wasn't my family, " Tony says. "I just ran and grabbed a ride on the train that was going through, and this is where I ended up. " "Sounds wonderful. Off to first period it is then? " I ask. "Yeah, sounds about right to me, " he says, and so we do, making first period just in time for the bell to ring. "Good morning, everyone, " the teacher, who I don't recognize (again…) says. "Welcome back, it's been a while, hasn't it? " "Yeah, it really has been, and remind me, who are you and what class is this? " "This is your English class, Mister Aspen, and I'm Mrs. Jones, your English teacher. Don't you remember me? " "Um, no, actually, I don't, " I say. "Just how long have you worked here, anyways? " "Five years, " she says, looking at me like I have two heads, and you know what? Once this class is over, I'm going to go to the bathroom and get a good look at myself in the mirror, because I'm starting to wonder about that myself. In the bathroom, I have to clean the mirrors off before I can even see anything in it. Judging from the plywood over the windows, this part of the school got quite messed up. I wonder if they just forgot to clean off the mirrors and get the smoke, ash, and all of the other junk and grime off, or maybe they just don't care.. I don't know what's going on with this school, because every teacher that I've run into is either completely different (as in a whole other person that I've never met before, like my English teacher) or completely oblivious to the fact that absolutely nothing is right with this school. I mean, I've only been around this building for a few months, but I would know all of my teachers, and these people haven't even been here for five days, let alone five years. Once I manage to get the mirrors cleaned off, which leaves the sleeve of my shirt soot-stained, I get a good look at myself: blue-green eyes with little flecks of gold near the center. Those are normal. Reddish-orange fur that's bordering on the edge of what could be called rusty amber- that's normal. Bags under my eyes, yep, those are there too and definitely normal. Extra head? Yeah, nope, definitely not there. As I head out of the bathroom and head back to class, an idea pops to mind. It's off to Mrs. Neve's classroom then. I'm not going back to first period until I figure out just what the flock is going on here. As I make my way to Mrs. Neve's, I hear several voices coming from inside the room. I know that she's not going to care if I intrude, so I open the door and step in to find all three inside, worriedly debating with one another, only to stop when I come in. "Oh, hey Theo, " Isaac says, giving me a small wave as I enter the room. "Is it just me, or has everyone in this building gone bonkers, huh? " "So it's not just me, then? " I ask. "I know that the bus driver was a little loopy, but I don't know who else is nuts. My teacher was, that's why I'm skipping out and hiding here. " "Did you notice that none of us were in there with you? " Jenna asks. "Uh, no, actually, " I didn't, " I say, feeling sheepish. "I was too busy wondering what the heck was up with my teacher to think about it. " "Don't worry about it, " Mrs. Neve says. "I can understand that. Everyone here is just so… odd and off-putting, and that's not even close to describing these people. I don't get it, it's like they've all been brainwashed into thinking that they've been teaching here for their entire careers, which, I can promise you, they haven't been, because I've never met anyone in this building before this morning, and yet they all swear that they've known me for as long as I've been teaching here, and that was when these two were just kits nearly sixteen years ago. I've got nothing, everyone, so unless any of you brilliant young mammals can think of something, I'm lost. I don't get it. " "Who says we're ever going to get it? " I grumble, letting a small growl slip my lips. "You want to know what I think is going on? " "What? " Mrs. Neve asks, apparently intrigued. "When Mister Marlboro snapped his fingers, that was when everything went weird, right? " I ask. "Yeah, that sounds about right, " Jenna says, her tail flicking nervously behind her, along with everyone else's, too, my own included. "Do you think that he's the one behind all of this? Like, maybe he has the power to warp reality? I mean, it sounds nearly impossible, no, just plain flat out impossible, but hell, this world just keeps proving me wrong day after day after day…" "It is what it is, though, isn't it? " "Yeah, it is, Isaac, " his sister grumbles. "Now come on, let's get our tails to class before anyone, teacher or otherwise, decides to come looking for us. "Yeah, that wouldn't be good, " I say. "I'm not in the mood to get in trouble again. " "I can't blame you, Theo, " Alaina says, and we all dash back to class, where the teacher is standing in front of the empty classroom, going about the lesson as if we were there, and she doesn't even flinch in surprise or even seem to recognize that we've come in when we do. Instead, she just keeps writing on the board, and I have no idea why. We were reading The Great Gatsby, or whatever that book was called, so I have no idea why this woman is now robotically writing notes about some book called Fahrenheit 451 on the board. Thankfully, though, her focus- or whatever the flocking hell it is- on the board lets us talk amongst ourselves, and we don't even have to whisper, the teacher doesn't even notice. "Whatever happened to Mrs. Macgutz? " Jenna asks. "This is just crazy! " "It's almost as if she's a robot, " Isaac says, nodding in agreement. "Do you think that she's another one of them? " "She could be, for all any of us know, man, " I say, hoping that she won't magically discover a sense of hearing. "What do you say to us just getting up and leaving? Do you think we'll be missed? " "Yes to the first and no to the second, " Tony says, twisting his whiskers nervously between two fingers. "So then what are we waiting for, eh? " I say, getting up out of my seat, and yep, sure enough, the teacher doesn't notice anything. Everyone else follows after me, and we head back to Mrs. Neve's classroom, where she's sitting alone at her desk, typing away at her computer, wiping away the sweat from her forehead with the back of her hand. She's so into her work, whatever it is that she's doing, that she doesn't notice that any of us have come into the room until I sit right in the seat that's right in front of her desk, and then she looks up, blinking in surprise when she sees us. "What are you guys doing back here? " she says, blinking the sleep out of her eyes. "What's going on? " "I have no idea, Mama, " Jenna says, hopping up on top of the desk next to me. "Everyone that we've run into is all robotic, like they've been possessed. You know how we left English right in the middle of a lesson? " "Well, no, I didn't know that it was right in the middle of a lesson, but go ahead, " Mrs. Neve says, now more fully awake. "Yeah, well, anyways, as I was saying, " Jenna says, rubbing the sleep out of her own eyes, "we got back to class to find our teacher, who, like everyone else, we've never seen before, teaching to thin air, almost as if she were a robot. " "What do you mean, 'she was teaching to thin air, " Mrs. Neve asks, her face a mask of confusion. "That makes absolutely no sense whatsoever. " "But it's exactly what was going on, Mama, " Jenna says, her legs swinging frustratedly over the edge of the desk. "She was standing there in the front of the classroom with a piece of chalk in her hand, writing away on the board and talking, teaching a lesson on a book we'd never read, and that was how we found her. It was like she had a program to run and that was what she did, regardless of whether or not there were actually students there to learn the lesson that she was teaching. " "That's probably the weirdest thing that I've ever heard in my life, honestly, " Mrs. Neve says, her brows creasing in confusion. "And you're sure that she was a person? I mean, normally that would be one heck of a weird question to ask, but after all of the scat that we've all seen and been through together, I think that's probably a fair one to ask. " "You have a point, Mama, " Jenna says, sighing in frustration. "No, I have no idea whether or not this woman was actually human or not, but I'm willing to bet quite a bit that the answer to that question is a big, fat, resounding NO! " "I don't think that she was either, Jenna, " Tony says, the weariness evident on his face, evident on everyone's faces, and although I can't see mine right at the moment, I know what it looked like just ten minutes ago: worn, overtired, and frustrated, and it can't have changed for the better since then. "So then what was she, exactly? " Jenna asks, equal parts frustrated and flustered. "You're asking the wrong mammal, sweetheart, " I say, sighing and letting my ears droop in a mix of frustration and sadness. "I got nothin'. " "The world is lost, then, " Jenna says, giving me a rueful smile. "So should we just try to survive the rest of the day alive and unscathed? " "Sounds like a decent plan to me, hun, " I say, and Mrs. Neve looks at us, smiling sadly. "Are you okay, Mrs. Neve? " I ask her, concerned. "Yes, I'm fine, Theo, " Mrs. Neve says, wiping her eyes clear again. "And didn't I ask you to call me Bianca? " "Yeah, you did, " I say. "Sorry, I'm tired and stressed and haven't been thinking about it. " "Eh, don't worry, it's not the end of the world, Theo, " Mrs. Neve- Bianca- says, smiling. "If that was supposed to be a joke, Bianca, " I say, groaning, "it was flocking awful. " "I know, " she says. "It was supposed to be, and yeah, probably in poor taste. " "No big deal, " I say. "But you're not wrong, it's not the end of the world, although it wouldn't surprise me to find out that the end of the world is coming soon. " "Geez, all doom and gloom now, are we, Theo? " "No, no, not at all, " I say, grimacing. "Why would I be like that? " "Great question, Theo, " she says. "I don't know, do you? " "I'm sorry, but I'm supposed to have a sense of humor? What? Mind. Blown! " I say, miming my head exploding. "Kablooie! " "Eew, fox brains everywhere! " Jenna giggles. "Hey, Mom, do you know where I can find a mop or something like that? Theo's brain blew up and there's a mess everywhere…" "If you can find a mop that's still good in this building, daughter dear, " Mrs. Neve- Bianca, keep it straight- says, "I'd be awfully surprised. Go ahead and look, but don't slip in the mess! " "Alright, Mama, I won't, " she says, grinning like a schoolkit. I don't know if there's a human equivalent to that, but if there's not, well, then, I'm not worried about it. You want to know why not? Here's why: I've got worse things to deal with than whether or not I make sense to anyone, because you know what? I'm my own person, and yeah, I'm going to need to find a place for myself somewhere in society, but do I need to just 'fit in? ' No, no I don't. You know what I do need to do, though? Make sense of whatever the hell is going in with this world. I try to do that over the course of the next several classes, where all of the teachers are the same as in first period. They all swear that they've known us for forever, ever since we were kits in elementary school, which, for countless reasons, is just plain impossible; and yep, they all act like robots, just going on teaching at the board even when we slip out; all of them are teaching things we haven't learned, and nobody seems to get it. All of the other students that I've run into seem to think that everything's normal, and I'm starting to wonder if all of us- me, Jenna, Alaina, and Isaac- if we've all collectively lost it. That's the topic of conversation as we make our way down to the cafeteria, the time until lunch having flown right by. "So it's just us then, " Isaac says as we're standing in line to get lunch. "We're the only ones who seem to think that any of this is odd. " "I guess so, " I say, scratching my head in confusion. "I'm not the only one who gets it, thankfully. Are all of you still together on what's causing this? " "I don't know, " Alaina says. "But we might want to move forward in line. " "Oh, " I say, noticing that everyone's moved forward several feet, leaving us behind and everyone behind us angrily tapping their feet, wondering when we'll notice the gap. By the time we manage to get back to talking, we're out of the lunch line, and we're all going to sit down when I notice an older man wearing a suit and tie, confusedly looking around the cafeteria. "Who's that? " I ask, pointing at said man. "I have no idea, " Alaina says, caution and fear etching the edges of her voice. "But let me guess, Theo, you want to go find out, right? " "Gee, how'd you know? " I ask, trying to be as sarcastic as it's possible for me to be (in other words, not very, I'm still learning how sarcasm works in the first place). "Because we're literally known each other almost our entire lives, " Alaina says, griping. "Alright, he looks safe, and just about as confused as we are, so let's go find out what's up with 'im. " We make our way over to the man, who is still looking around nervously. "Hello? " Isaac asks, tapping him on the shoulder. "Hello? " "Huh? " the man asks, blinking, and then he gets a look at us, and a look of pure and abject terror flashes across his long, rather pale face. "What? Huh? Why are there Terrans in the building! Help! " he begins to shout, his panic growing, and I frantically try to get him to calm down, my heart racing thousands of lightyears a minute. No trouble for me, no, please, not again! "Please! Please calm down! " I beg him, hoping he'll listen, hoping that I won't get in any more trouble. "What are Terrans doing here on Earth? I heard about the invasion, is that why you're here? " "I hate having to explain this, " Alaina grumbles, putting a paw to her snout in frustration. "Theo, why don't you try and explain what we're doing here on Earth, and do it calmly, please. " "Alright, Alaina, " I tell her, then turn to the principal, putting my paws in the pockets of my jeans so that I can't wave them everywhere. "Sir, " I begin, taking a deep breath to steel my nerves, "we're not here as invaders, I promise. We're on exchange, we have nothing to do with the invasion, and believe you me, sir, we're just about as confused as you are. " "So I'm not the only one? " he asks. "I've been doing my rounds, I'm the superintendent, you see, and I wanted to make sure that everyone was okay before school today, and…, " he says, trailing off. "Let me guess, " Jenna says, "you found new teachers everywhere that you didn't know and had never seen before in your life, but they all swore to you that they had worked for the district for years and they all knew you. " "How'd you know? " the man, apparently the superintendent, says. "I thought I was the only one. " "No, you're not the only one. There's us five mammals here, and then my Algebra teacher, one Mrs. Bianca Neve, " I say. So you have no idea what's going on here either? " "Not a single one, sir, " I sigh. "If I had any answers, sir, I wouldn't be asking any questions. " "That's what I thought, " the superintendent, who has yet to introduce himself, says. "So who are all of you? " "I'm Theo Aspen, and as for animal? I'm a red fox" I say, sticking out a paw for him to shake, and he does. "Nice to meet you, Mister-? " "Blanchard, " he says. "Mister Paul Blanchard, and it's nice to meet you as well, Theo. " "I'm Alaina Lupa, " Alaina says, giving the principal a quick salute. "Nice to meet you, sir. " "You don't have to salute me, Alaina, " Mister Blanchard says, smiling and returning her salute. "And you are? " "Canis lupus- gray wolf, " Alaina says, smiling. "It's nice to meet someone who's not actively trying to kill us, you know. " "I know the feeling, " he says. "I served my time in the Army- twelve years, three full tours of duty, and believe me, those days when we could kick back a little were the best of all of them. Now, " he says, turning to Isaac and Jenna. "Fox and wolf? Did I get that right? Your fur's a bit different, but the shapes are still the same. " "You got it, " Jenna says, giving him her best smile, making sure to not seem threatening. "I'm the fox, he's the wolf, and yes, he's my brother, I know it seem weird. And this screwball, " she says, pointing to me, "is my fiancee. " "Congrats, " he says, shaking his head like he's trying to wrap his mind around everything in a literal sense. "So do any of you have any idea what the fricking hell is going on here? " "Not really, " I say. "So what-" I begin, but I stop when my eyes catch sight of the red and blue flashing bar lights of police cruisers. "What the hell? Who called the cops? " "Not me, " I say. "I've had enough of cops for a lifetime, so no, definitely not me. " "And it wasn't me, " Mister Blanchard says. "I don't have any service here, anyways. " Before we can think about it anymore or talk about it amongst ourselves, the officers who were driving the cruisers pile out and come barging in through the school's cafeteria doors. Never mind that the outside doors that open to the hallway were locked not ten seconds earlier, no, a second's worth of bullets from their automatic rifles blows them right open, and the cops come pouring right into the cafeteria, rifles sweeping the room, scanning the room for any threats and then locking in on us. One of the officers marches right up to me and jabs his rifle right to my chest. Shit, I think, my heart pounding and palms sweating like crazy, this is how I die, isn't it, not even off fighting like my family would have wanted, no, I die in school. "What are you doing here, fox?! " the officer says, pushing the barrel of his gun even farther into my chest, and now I'm fighting not to yelp from the pain that the rough metal end is causing as it digs into my skin, which won't be a winning enterprise for much longer if this is any sort of sign. "I'm an exchange student, sir, " I manage to yip out, tears starting to well in my eyes, making the world seem all misty. "An exchange student, as if I'd ever believe that, " the officer laughs, pressing the muzzle of his gun even farther into my chest. "You really think you're going to trick me, fox? " "But it's true! " Alaina shouts in protest, and thankfully, thankfully, thankfully, the officer takes the gun's muzzle away from my chest. "What did you say, predator? " the officer snarls, now training his gun on her, and I gulp again. Not her, no! Please, we didn't do anything, we're innocent mammals, please! "Nothing, officer, " Alaina says, seeming to shrink into herself as she dips her head in submission, a gesture that I haven't seen in years, which just makes it all the more surprising, and what she does next- put her paws over her neck- shocks me even more. Usually, back on Terra, mammals would only do that if they knew the cause was hopeless, a gesture of 'I surrender, please don't kill me. ' If Alaina's giving in, then the cause is lost, but I'm not going to give in, not here, not now, not ever! "I'm glad to know that some of you pelts still have some common sense, " the officer says, and when he turns his gun on Isaac and then Jenna, both of them do the same, leaving me as the only one who hasn't just plain given in. "So what should I do with all of you? " he muses. "Of course, the President did authorize the execution of spies and suspected enemy co-conspirators. Maybe I should just end you all now, " he says, and as he does, I feel my stomach drop, my face blanching cold, but then, a split second later, it heats back up again as red-hot boiling anger overtakes me, and before my brain can fully process what it, as well as the rest of me is doing, my instincts take over, and I leap on top of the officer, trying to hold him down, hurt him, something, just keep him away from my family. Everything blurs together as the adrenaline kicks in, but then it wears off in a split second as I find myself pinned to the ground, and wearing a- what even is this thing? My mouth can't open, there's a metal cage around it, and now my wrists are chained together? What the hell? I don't understand, I think, panicking, my heart starting to race even faster. What did I even do? Then my mind catches up to itself, and I come to the realization that yep, I'm screwed. I just attacked a human, that's a sure-fire way to go to jail, and I'm going to wager my bets that that's where I'm heading. The officers start to march me out, but before they can get very far, Alaina leaps after them, fury in her eyes. Before she can leap onto anyone, though, one of the officers tazes her and then cuffs her dazed self. "Who's next? These two are already going down for quite a while, anyone else want to join them? " "I will, " Tony says, putting out his paws for the officer to cuff, and despite his apparent surprise, the officer cuffs him, too. "Anyone else? " one of the other officers, the one who tazed Alaina, asks. "Me, " Isaac says. "And me, " Jenna says, both of them putting their paws out to have the shiny silver bracelets placed around them, all of the assembled cops looking on at the spectacle unfolding before them with the same expression on each face- one of shock, surprise, and the most disgusting part of all, barely suppressed glee. Bastards, each and every flocking one of them are bastards and cowards, I think as the original officer leads us into the back of the two police cruisers. I never thought that I would be the one to get arrested. No, I was always the uptight one out of everyone, the one that flat-out refused to break any rules, and that just makes it all the more surprising that I'm being strapped in in the back of a police cruiser, metal rings of this stupid muzzle digging in and stinging like hell, paws cuffed behind my back. It's a price that I'm more than willing to pay, though, if it means protecting my family, my friends, my mate. I would do anything for her, I would do anything to save my new family, I really would, even go to jail. That was supposed to be funny. Ten minutes later, we're being led into the booking room of the local police station, and the dispatcher looks up from the newspaper that he's boredly skimming when he hears the bell on the door jangle to signal our arrival. "Morning, Paul, " the dispatcher says to the officer leading me in. "What'd you catch this time? " "Two foxes and two wolves, " he says, gesturing to the rest of us with the hand that's not holding the cuffs. "They tell me that they're not invaders. I don't know, but what I do know, " he says, gesturing to me, "is that this annoying little son of a bitch motherfucker tried to attack me. Now, if you'll excuse me, " he says, letting go of my cuffs, "I'm going to go see the medic so I don't bleed out. The fucker got me good. Book 'em and put them in Holding 'til we can set a trial date, alright? " "Got it, " the dispatcher says, getting up from behind his desk and coming to take the muzzle off of my face, thank Karma! " "This is only off until we're taken care of here, then it's going back on, " he says, sixteen words that strike fear right through my heart. "Do you understand that? Do you speak English? " "As well as I can Vulpine, " I say, rubbing my face, thankful for the respite. "So that's a yes, officer. " "Your name? " "First and last or full? " "Full name, please, " he says, obviously bored. "Theodore Michael Aspen. "Date of birth? " "Couldn't tell you, actually. " "Why not? " "Because Terra uses a different calendar than Earth does, that's why. " "I see. So how many years ago? " "Sixteen years ago, Earth-timewise, plus an extra day. Today is the twenty-seventh, isn't it? " "Yes, it is, " the officer says, scratching something down on his pad of paper that's right in front of him on his desk. "Address? " "713 Carroll Street, right here in Barre. " "Got it. SSID? " "What's an SSID? " I ask, just wanting these cuffs off right now. "You know what, if you don't know what an SSID is, chances are that you don't have one, " the officer says, sighing. "So what're you being accused of? Let me guess, you didn't do it, right? I've worked here for over a decade and a half, and no person has ever come in here who's ever committed the crime that they've been accused of. " "Then we're got problems, " I say. "What's wrong with this planet's justice system? " "Nothing at all, it's just that everybody's always convinced that they've done nothing wrong. " "Well, then I can be the first, officer, because I did attack that officer, I'm guilty of that at the very least. " "You mean you actually did what you were accused of? First time in fifteen years, someone admits to a crime. " "Yeah, I did it, " I say, "now can you let me go? " "Sorry, no can do, " the officer says. "Those cuffs aren't coming off until you're put in a holding cell, and you're not leaving until you face a jury. " Well, I'm screwed, that's for sure. "How long until that happens? " I ask, scared and desperate. "I don't want to be here, and I'm scared…" "I understand that, sir, but you can't leave. If you're here in this station, you've committed a crime, and the only way to get out is to serve time, usually. Either that or you could post bail, but in this place, it's usually a hundred thousand dollars or more, and don't ask me why. Any crime is worth an exorbitant fine in this here city of ours. The safer bet is to just face trial, believe me. What're the rest of you in here for? " "The officer that arrested me asked if anyone else wanted to join me, and all of my friends told him that they did, so here we all are. " "Hmm, interesting. Go and sit on the bench by the wall there and wait while I book the rest of your friends. "Yes, sir, " I say, going to sit on the bench where he's told me to, all the meanwhile wondering just how it's possible for me to have gotten myself into such a mess. I don't know, but what I do know is that both Mama and Mrs. Neve- Bianca- will be royally flocking pissed when they find out what's happened to us. But they're not here yet, so I've just got to sit here and wait, all the while thinking flock this until they do.

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